As co-chair (with Birgit Kurtz) of the New York chapter of the Responsible Art Market Initiative, I hope you will join us for a two-part webinar focusing on data in the art market. The webinars will take place on October 30, 2024, and November 6, 2024. Registration is available here.
Topics: Emigrant Bank Fine Art Finance, Yale University, Suzanne Gyorgy, Winston Art Group, Responsible Art Market initiative, Nanne Dekking, Artory, Charles Moffett Gallery, ArtTactic, Magnus Resch, Minerva Pinto, Goldman Sachs, Ann Tenenbaum, Erica Barrish, EAB Fine Art Services, Charles Moffett, Jr., Anders Petterson
We reported last week on the outrage over the decision by Germany and the Stiftung Preussischer Kulturbesitz (SPK) to argue in their motion to dismiss my clients’ claims to the Welfenschatz that a commercial interaction between German Jews and a cabal instigated by Hermann Goering in 1935 “predated the Holocaust by several years.” As we noted last week, the suggestion that the Holocaust was a distant possibility in 1935 was an indefensible statement, factually, historically, and ethically. The initial reaction was swift and severe. As Germany gets ready to host the First Conference of the German Centre for Cultural Property Losses next week, its policies are hurtling in the wrong direction.
Topics: Jewish Week Mel Urbach, Hermann Goering First Conference of the German Cen, Gesetz zur Wiederherstellung des Berufsbeamtentums, Henning Kahmann, Atlanta, Simon Wiesenthal Center, Varda Neumann Federal Administrative Court, Yale University, Marion Kaplan, New York University, Germany, Nazi-looted art, Hitler, Kristallnacht Rabbi Abraham Cooper, Deborah Lipstadt, U.S. Holocaust Memorial Museum, Markus Stoetzel, Emory University, Behrens, Holocaust, Bloodlands, SPK, Advisory Commission, Black Earth: The Holocaust as History and Warning, Stiftung Preussischer Kulturbesitz, Restitution, Los Angeles, World War II, Law for the Restoration of the Professional Civil, Washington, Raubkunst, Timothy Snyder, Welfenschatz
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