Art Law Report Header-1

Nicholas O'Donnell

Nick’s practice focuses primarily on complex civil litigation. He represents manufacturers, individuals, investment advisers, banks, and others around the world in contract, securities, consumer protection, tort and domestic relations cases, with particular experience in the German-speaking world. He is also the editor of the Art Law Report, a blog that provides timely updates and commentary on legal issues in the museum and visual arts communities, one of his areas of expertise. Nick is a member of the Art Law Committee of the New York City Bar Association. Additionally, Nick has authored and contributed to several books on art law: — A Tragic Fate—Law and Ethics in the Battle Over Nazi-Looted Art, (Ankerwyke/ABA Publishing, 2017) — “Public Trust or Private Business? Deaccessioning Law and Ethics in the United States,” in Éthique et Patrimoine Culturel - Regard Croisés, G. Goffaux, ed., (L’Harmattan, 2016) — “Vergangenheit als Zukunft? Restitutionsstreitigkeiten in den Vereinigten Staaen,” in Ersessene Kunst—Der Fall Gurlitt, J. Heil and A. Weber, eds., (Metropol, 2015) — “Nazi-Looted Art—Risks and Best Practices for Museums,” in The Legal Guide for Museum Professionals, Julia Courtney, ed., (2015, Rowman & Littlefield)

Recent Posts

Lawsuit Seeking to Stop Deaccessioning of Paintings at Valparaiso is Dismissed

Posted by Nicholas O'Donnell on December 4, 2023 at 4:05 PM

A trial court in Indiana recently dismissed a lawsuit challenging the proposed sale of three works of art by Valparaiso University: Rust Red Hills by Georgia O’Keefe, Mountain Landscape by Frederic Edwin Church, and The Silver Veil and the Golden Gate by Childe Hassam. This controversy highlights many of the issues surrounding the deaccession of art by American museums. In ruling that the former director of the Brauer Museum of Art at Valparaiso and the museum’s key benefactor both lacked standing to sue the university over the planned sale, the decision tracked other recent results about non-profit oversight, highlighting just how critical the engagement of a state’s Attorney General is.

Whatever the merits of this rule on standing are, however, the university seems to be violating a condition of the 1953 agreement it made to obtain these works of art, yet nine months on the Attorney General has not exercised his undisputed prerogative to stop it. Non-profit governance is hard in a world of finite charitable resources. But universities caught in the arms race of new dorms and laboratories would do well to consider the core mission and what makes it possible. The chance to sit with a painting by Hassam, Church, or O’Keefe was well recognized by the original benefactor Percy Sloan, and this university agreed to abide by that condition. It should keep its word. Selling art to plug budget holes is like eating the seed corn; it robs the future.

Read More

Topics: Rose Art Museum, Supreme Judicial Court, Deaccessioning, New York Times, Brandeis University, Berkshire Museum, Frederic Edwin Church, Attorney General, Mountain Landscape, The Silver Veil and the Golden Gate, Georgia O'Keefe, Childe Hassam, Rust Red Hills, Breuer Museum of Art, Percy Sloan, Junius Sloan, Sara Sloan, Justice David Lowy, Todd Rokita, José Padilla

German High Court Rules Painting Will Stay Listed in Nazi-Era Lost Art Provenance Database

Posted by Nicholas O'Donnell on July 24, 2023 at 6:21 PM

(Germany’s highest court issued a much-anticipated ruling on a challenge by a collector to the listing of his painting in the so-called Lost Art database in Magdeburg, Germany. The Bundesgerichtshof (BGH) ruled that the listing will not be deleted where “based on true facts.” The ruling underscores the informative, rather than legal, nature of the database, which describes itself as documenting “cultural property that was either demonstrably seized from their owners between 1933 and 1945 as a result of Nazi persecution, or for which such a seizure cannot be ruled out.” Insofar as the case just decided involves a well-known victim of Nazi-persecution, the clarification is a welcome and important one. As always in this area, however, the hard cases are harder. The case stopped short of resolving more nuanced cases, or addressing what recourse a collector might have in situations where a listing effectively makes a painting impossible to sell. Perhaps the best course would be to take heed of the way the court decided this case: the database is a  critical tool of information, but a less useful one when it comes to sorting out legal rights.

Read More

Topics: Lost Art Database, Germany, Bundesgerichtshof, Van Gogh, Magdeburg, Nazi persecution, BGH, IFAR, Art Loss Register, A Tragic Fate, Girl from the Sabine Mountains, Francis Xavier Winterhalter, Vue de l'asile et de la Chapelle de Saint-Rémy, Elizabeth Taylor, German Lost Art Foundation, Calabrian Coast, Kalabrische Küste, Concordia University, Zentrum für Kulturgutverluste, ALR, Düsseldorf, Bettina Brückner

New Article in Apollo magazine: The Supreme Court has saved the Andy Warhol Foundation from itself

Posted by Nicholas O'Donnell on June 13, 2023 at 11:42 AM

Following the recent Supreme Court decision in Andy Warhol Foundation for the Visual Arts v. Goldsmith, I wrote an article in Apollo magazine discussing the result. The bottom line is that I continue to see the result as a sensibly practical one, that resets the over-reliance on a transformative test that had no limits in the execution. I also dislike the dissent more each time I read it. 

Read More

Topics: Campbell v. Acuff Rose Music Inc., Supreme Court, Copyright, Fair Use, Andy Warhol Foundation for the Visual Arts, Apollo Magazine, Kagan, Lynn Goldsmith

Look to the Purpose, not the Meaning—Supreme Court Rejects Warhol Foundation’s Fair Use Defense Against Lynn Goldsmith

Posted by Nicholas O'Donnell on May 26, 2023 at 9:42 AM

The Supreme Court of the United States has issued its long-awaited ruling in the dispute between photographer Lynn Goldsmith and the Andy Warhol Foundation for the Visual Arts (AWFVA) on May 18, 2023. The Court held the AWFVA’s delivery to Condé Nast magazine in 2016 of an Andy Warhol silkscreen from 1984 based on a 1981 Goldsmith photograph of the musician Prince did not satisfy the first factor (of four) of the statutory fair use elements. The Court took a narrow approach, explicitly declining to reach the question of whether Warhol’s original work would qualify for a fair use defense, holding only that the 2016 use did not.

(Williams College Museum of Art Security Badge, ca. 1993)

Read More

Topics: Cariou v. Prince, Copyright Act, Philippa Loengard, Campbell v. Acuff Rose Music Inc., Kernochan Center for Law Media and the Arts, 17 U.S.C. § 107, Columbia Law School, Andy Warhol, Fair Use, Andy Warhol Foundation for the Visual Arts, Syracuse University, Condé Nast, Kagan, Sotomayor, Roberts, Titian, Lynn Goldsmith, Vanity Fair, Thomas, Giorgione, Goya

Join the Responsible Art Market Initiative March 2, 2023 at Phillips in New York

Posted by Nicholas O'Donnell on February 15, 2023 at 4:57 PM

Registration is now open here for our first in-person event in more than three years! We will meet at Phillips auction house’s stunning new locationfor lively discussions of two hot topics affecting the art world. I am very proud that my partners at Sullivan & Worcester LLP and I are one of the lead event sponsors as well. There will also be time for networking and for viewing the workscoming up for sale at Phillips’ March 8 “New Now” auction. The event is free of charge, but you must register in advance.

Read More

Topics: TEFAF, Crozier Fine Arts, Nicholas M. O'Donnell, Responsible Art Market initiative, Sustainability, Phillips, Birgit Kurtz, Nanne Dekking, Artory, Laura Lupton, Nicole Bouchard Tejeiro, Louise Carron, Klaris Law PLLC, Citi Global Wealth, Elena Zavelev, Ben Heim, NFTs, Galleries Commit, Sofie Scheerlinck, Deborah Querub

Save the Date! The Responsible Art Market Initiative Comes to New York March 2, 2023

Posted by Nicholas O'Donnell on February 3, 2023 at 2:13 PM

On the heels of another successful annual conference in Geneva last week, I am very pleased to announce that the Responsible Art Market Initiative will be hosting its first New York Chapter event on Thursday morning, March 2, 2023 at Phillips Auctioneers on Park Avenue. Registration will be opened soon, but two panels will discuss sustainability issues in the market, and the ever-changing challenges and opportunities presented by NFTs. We are grateful to Phillips for welcoming us to their beautiful space, where we will have a chance after the event to see the art on view for auction. Join us for RAM's unique blend of real-world art market practitioners and experts, and a chance to get together.

So, please block off your calendars and look for registration soon!

Read More

Topics: Geneva, Events, Responsible Art Market initiative, Phillips Auctioneers

"Why Germany has the Prussian blues" in Apollo Magazine

Posted by Nicholas O'Donnell on January 22, 2023 at 2:06 PM

I recently tackled the public discussion in Germany about whether to rename the Stiftung Preussischer Kulturbesitz, the foundation that oversees the State Museums of Berlin and some of the most remarkable collections in the world. Readers of the Art Law Report will know this name well, the SPK is the defendant in the lawsuit brought by my clients for the restitution of the Welfenschatz, or Guelphe Treasure, that the Supreme Court heard in 2020. While I've never been shy about criticizing the SPK about its approach in our our case (which is on appeal, briefs here and here), this piece addresses a different question. Namely, what place does the name "Prussia" have in the 21st century? For anyone like me who still thinks about the historical sliding doors of the Grossdeutschelösung and Kleindeutschelösungdebate of the 19th century about how to unite the German-speaking states and duchies, this piece is for you.

 

Read More

Topics: Holy Roman Empire, Prussia, "Elephant Mural", Martin Luther, Stiftung Preussischer Kulturbesitz, Sueddeutsche Zeitung, Hermann Goering, Der Spiegel, Prussian Cultural Heritage Foundation, Andy Warhol, Welfenschatz, Humboldt Forum, C. Montgomery Burns, Claudia Roth, Siam, Sigismund of Luxembourg, Friedrich VI, Hohenzollern, Brandenburg, Kaliningrad, Augustus II the Strong, Nefertiti, Pergamon Altar, Annalena Bärbock, Monika Grütters, Götz Aly, Joseph Beuys, Königsberg, Nazism, Konrad Adenauer, Hermann Parzinger, Luf Boat, Bild

Van Gogh Dispute and Temporary Exhibition Loan Collide at Detroit Institute of Arts

Posted by Nicholas O'Donnell on January 20, 2023 at 11:17 AM

A new lawsuit seeking to seize a painting by Van Gogh currently at the Detroit Institute of Arts for the show “Van Gogh in America,” a painting which the plaintiff alleges was unlawfully taken has brought back into focus the law in the United States that address immunity from seizure. That is to say, what are the circumstances under which a work of art loaned on exhibition—even if stolen property—might nonetheless have to be returned to the lender? The results, and the criteria, are often surprising to the casual viewer but are important to review for museums, collectors, and anyone involved in art loans.

Read More

Topics: Malevich, Schiele, 22 U.S.C. § 2459, Pinacoteca di Brera, Museum of Modern Art, Van Gogh, IFSA, Leopold Collection, Portrait of Wally, Immunity from Seizure Act, State Department, Detroit Institute of Art, Brokerarte Capital Partners LLC, The Reading Lady, Liseuse De Romans, George Caram Steeh, Gustavo Soter, The Novel Reader, replevin

Responsible Art Market Initiative Annual Conference—Evolutions in Collecting Art: Practices and Challenges

Posted by Nicholas O'Donnell on January 19, 2023 at 10:33 AM

The Responsible Art Market Initiative will hold its 7th Annual Conference on January 27, 2023 at artgénève at the Palexpo in Geneva, Switzerland. RAM has been holding this event annually in parallel to the art fair in Geneva, and it has become a must-attend conference for trends in market practices, standards, and risks. Registration is open through tomorrow, January 20, 2023, so don’t miss out.

This year’s conference (program here) lives up to the standards set by past events. The conference will feature two panels, and a keynote introduction that I will present on relationships between collectors, artists and galleries.

Read More

Topics: Anne Laure Bandle, Art Law Foundation, Geneva, artgenève, Mathilde Heaton, Responsible Art Market, Phillips, Palexpo, Martin Wilson, Piergiorgio Pepe, Gallery von Bartha, Ethics of Collecting and Quantum Ethics, Stefan von Bartha, Karim Noureldin, Adèle Aschehoug, Plateforme 10, Maria de Peverelli, Amir Shariat, Lausanne, Stonehage Fleming Art Management, Richard Barnett, The National Gallery London

September 21, 2022 Event—Issues on Art, Artifacts and Archeology

Posted by Nicholas O'Donnell on September 14, 2022 at 3:07 PM

 

Read More

Topics: Boston Bar Association, Museum of Fine Arts Boston, Victoria Reed, Sadler Curator of Provenance, Ashley Mason, Malgorzata A. Mrózek, Fitch Law Partners LLP

Sullivan logo

About the Blog


The Art Law Report provides timely updates and commentary on legal issues in the museum and visual arts communities. It is authored by Nicholas M. O'Donnell, partner in our Art & Museum Law Practice.

The material on this site is for general information only and is not legal advice. No liability is accepted for any loss or damage which may result from reliance on it. Always consult a qualified lawyer about a specific legal problem.

Meet the Editor

Subscribe to Blog

Recent Posts

Posts by Topic