Germany has proposed a revision to its cultural protection legislation that would further restrict exports of objects more than 50 years old. While worries that it is the equivalent to state expropriation are overblown, it does indicate a mindset that is in many ways incompatible with the modern art market—even if it is only an effort to harmonize German and EU law. The struggles of Germany’s efforts to keep pace with other centers of art trade may only be compounded if this becomes law.
Topics: Legislation, Frankfurter Allgemeine Zeitung, cultural property, Roman antiquity, Germany, Cultural Protection Laws, England, Joshua Reynolds, European, Rome, 5th Amendment, Bundesländer, Italy, Monika Grütters, regulatory taking
After the 1998 Washington Conference on Holocaust Era Assets and the eponymous Washington Conference Principles on Nazi-Stolen Art that came out of it, it is hardly surprising that a recurring theme has been to assess the progress of those nations that participated and signed on. Equally unsurprisingly, those assessments are usually more anecdotal than empirical, and usually arise out of a particular case or cases in the context of that country’s response.
Topics: Graham Bowley, Macedonia, Netherlands, Terezin Declaration, Mussolini, Latvia, Dr. Wesley A. Fisher, Hungary, ICOM, Bulgaria, Commission for the Compensation of Victims of Spol, Germany, Bavarian Minister of Culture, Nazi-looted art, Die Welt, Belarus, Lex Gurlitt, Washington Conference on Holocaust Era Assets, France, Dr. Ruth Weinberger, Romania, Baron Mor Lipot Herzog, Winfried Bausbeck, Belgium, Slovakia, Vichy, World Jewish Restitution Organization, Bundesrat, Washington Conference Principles on Nazi-Stolen Ar, Gurlitt, WJRO, NS Raubkunst, Restitution, International Council of Museums, Norway, United States, Luxembourg, Looted Art, World War II, St. Petersburg, Poland, beschlagnahmte Kunst, Ukraine, Austria, Serbia, Conference on Jewish Material Claims Against Germa, Italy, Bosnia, New York Times, Monika Grütters, Slovenia, Estonia, Museum and Politics Conference, National Gallery, Museum of Fine Arts, entzogogene Kunst, Czech Republic
It was my great privilege last year to speak at the 5th Annual Art Crime Conference, hosted by the Association for Research into Crimes Against Art (ARCA). The conference, in Amelia, Italy, annually draws experts in varied fields of law, cultural property, archaeology, law enforcement, and more. It is also held in one of the most spectacular venues I have ever seen, a rocky outcropping , with a medieval Italian city on top of a Roman-era settlement (complete with a cistern at the top of the hill).
I will be speaking at the 5th annual Art Crime Conference held by ARCA (Association for Research into Crimes Against Art) in Amelia, Italy between June 21-23, 2013. My talk will address Holocaust restitution litigation in the United States, similar to the paper I gave in Maastricht in March but covering important more recent developments as well (notably the Hungary case).
Topics: cultural property, Vernon Rapley, Charlie Hill, Art Crime Conference, Howard Spiegler, Maastricht, Carabinieri TPC collectively, Association for Research into Crimes Against Art, John Merryman, Neil Brodie, Jason Felch, Larry Rothfield, Dick Drent, Karl von Habsburg, Restitution, World War II, Lord Colin Renfrew, Foreign Sovereign Immunities, Paolo Giorgio Ferri, Stuttgart Detective Ernst Schöller, Francesco Rutelli, Amelia, Ralph Frammolino, ARCA, Italy, Norman Palmer, Dr. Joris Kila, Dr. George H. O. Abungu