The ABA Journal has opened voting again on its annual “Blog 100,” a roll of notable legal blogs. I’ve submitted votes for the following blogs (in no particular order), which I have bookmarked and consult regularly. The great thing about blogging, I have found, is the ability it gives the reader (and the blogger) to survey multiple perspectives on a subject. So when resale royalties are under discussion, or fair use, I don’t want to read only articles that I agree with or that take the same approach that I would. I also want to hear something I never would have thought of, and expand the conversation.
ABA Journal Opens Voting on “Blog 100”—Here Are My Votes
Posted by
Nicholas O'Donnell on July 30, 2015 at 6:34 AM
0 Comments Click here to read/write comments
Topics: Donn Zaretsky, Paul Howcroft, ABA Journal, Stropheus, Blogs, Judith Prowda, Art Law & More, London, Peter Bert, Fladgate LLP, Richard Lehun, Constantine Cannon LLP, Irina Tarsis, Blog 100, Azmina Jasani, Pierre Valentin, Silberman and Associates, Dispute Resolution in Germany, Art@Law, Boodle Hatfield LLP, Taylor Wessing, Natalia Mikolajczyk, Private Art Investor, The Art Law Blog, Art Law London, Becky Shaw, Tim Maxwell, Center for Art Law, Frankfurt
327 Gurlitt Collection Works Now Known; Time for Claims in the United States?
Posted by
Nicholas O'Donnell on December 6, 2013 at 4:36 AM
The coordination office in Magdeburg continues to post details about works of art seized from Cornelius Gurlitt in Schwabing, with a total of 327 works now available for viewing. There has been almost no discussion yet, however, of what process the government will employ to allow claimants to make their case. Those in the United States have options discussed further below.
0 Comments Click here to read/write comments
Topics: veschollene Kunst, Schwabinger Kunstfund Cornelius Gurlitt, Strafprozessordnung, Hildebrand Gurlitt, EBS Dispute Resolution Center, Munich Hoard, IFKUR, Verjährungsfrist, Peter Bert, Germany, Matthias Weller, prescriptive ownership, Nazi-looted art, Gurlitt Collection, Foreign Sovereign Immunities Act, Baden-Württemberg, Entartete Kunst, Nazis, Ingeborg Berggreen-Merkel, Munich, Schwabing, Magdeburg, FSIA, Dispute Resolution in Germany, Bavaria, Looted Art, Foreign Sovereign Immunities, deutches Recht, degenerate art, Altmann v. Republic of Austria, www.lostart.de, stop, Raubkunst, German Civil Code § 221, Sec. 108 German Code of Criminal Procedure, Kunstfund München, Münchner Kunstfund
The ABA Journal is conducting its annual poll of the best 100 blogs. For arts and the law, the blogs I read the most are below. If you are a blog reader, consider casting a vote. We are all engaged in a great conversation, and your voice matters to what we write. If nothing else, read these blogs!
0 Comments Click here to read/write comments
Topics: Donn Zaretsky, Blogs, MItchell Stein, Kim Herman, Peter Bert, Association for Research into Crimes Against Art, Lee Rosenbaum, Commission for Looted Art in Europe, Plundered Art, CultureGrrl, ARIS, Harry Ekblom, Holocaust Art Research Project, Dispute Resolution in Germany, Looted Art, Marc Masurovsky, The Art Law Blog, ARCA, Trending Trademarks, Business Aviation Law Blog, Center for Art Law
German Art Law Updates from the Dispute Resolution in Germany Blog
Posted by
Nicholas O'Donnell on November 1, 2012 at 7:36 AM
For those of us trying to follow art law developments in Germany, particularly to get access to original source and court documents in German, Peter Bert’s Dispute Resolution in Germany Blog is a terrific source. Between the Hans Sachs collection case and the contuing fallout from the Wolfgang Beltracchi forgery scandal and the fictional “Jägers Collection,” Germany has had a busy year of art law prominence, particularly with regard to forgery issues. Two recent posts bear reading, both of which attach the original court opinions in German, for their interesting analysis.
0 Comments Click here to read/write comments
Topics: Forgery, Lempertz, Peter Bert, Germany, Hans Sachs, Wolfgang Beltracchi, Dispute Resolution in Germany, Copyright
