From Dresden to Aschbach to Düsseldorf—New Scholarship in U.S. Archives Traces Hildebrand Gurlitt at War’s End, Could Affect Cornelius Gurlitt’s Claim to Good Faith Ownership
The Main Post has an article today (in German) by Christine Jeske tracing the late-war and post-war trajectory of Hildebrand Gurlitt and his now-infamous collection. The article is fascinating, and sheds considerable light on how the collection came through the war and how Gurlitt evaded greater scrutiny that might have revealed the trove’s whereabouts earlier. It also puts into context any claim Cornelius Gurlitt might now have to argue he took possession of the paintings from his father unaware of their provenance—what will be a critical argument, particularly if yesterday’s Cultural Property Restitution Law proposal by Bavaria becomes federal law in German.
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Topics:
Wiesbaden,
Cultural Property Restitution Law,
veschollene Kunst,
Franken,
Franconia,
Hildebrand Gurlitt,
Cornelius Gurlitt,
George Clooney,
Erik Berger,
Augsburg,
Dresden,
Nuremberg,
Fall Gurlitt,
Monuments Men,
Gurlitt Collection,
Karl Haberstock,
Kunstverein,
Entartete Kunst,
Munich,
Heiner Dikreiter,
Beutekunst,
Freiherr Gerhard von Pölnitz,
Bavaria,
Kulturgut-Rückgewähr-Gesetz,
Nürnberg,
Düsseldorf,
Schlüsselfeld,
Monuments Fine Arts and Archives,
Gemäldegalerie Dresden,
Christine Jeske,
Walter Paech,
degenerate art,
Städtische Galerie,
München,
Main Post,
Karl and Magdalene Haberstock Foundation,
Raubkunst,
Verjährung,
Nazi Raubkunst,
Aschbach
As reported yesterday, the government of Bavaria has moved ahead with a proposal to amend the statute of limitations over art claims like those arising out of the Gurlitt find in Schwabing/Munich. The “Draft law for the exclusion of limitations on claims for misappropriated cultural property, particularly from the Nazi era (Cultural Property Restitution Law)” would bar the assertion of a statute of limitations where the current possessor does not hold the property in good faith. The draft is now publicly available, here (albeit in German). The proposal is not limited to Bavaria, rather, it is for consideration by Germany’s federal; parliament in Berlin (first the upper chamber, or Bundesrat, followed by the Bundestag).
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Topics:
Berlin,
Ministerin für Justiz und Kultur,
Cultural Property Restitution Law,
veschollene Kunst,
Schwabinger Kunstfund,
Cornelius Gurlitt,
Gurlitt Task Force,
Fall Gurlitt,
Gurlitt Collection,
Kulturgut,
Entartete Kunst,
Declaration of the Federal Government the Länder a,
Munich,
Beutekunst,
Schwabing,
Bundestag,
Bundesrat,
Bavaria,
Kulturgut-Rückgewähr-Gesetz,
degenerate art,
Freistaat Bayern,
Justizminister,
München,
Raubkunst,
Verjährung,
Winfried Bausback
