As confusion swirls around Cornelius Gurlitt’s actual plans, one of the issues is that his team is not speaking consistently with one voice. In particular, there are odd developments about the artworks that Gurlitt himself had removed from his Salzburg home in February—oddities that are worth weighing when considering the recent public statements about his supposed willingness to return some of the art. The fact that Gurlitt’s team itself has undergone a shakeup is also worthy of note.
Topics: Schwabinger Kunstfund, Hannes Hartung, Hildebrand Gurlitt, Cornelius Gurlitt, Stefan Edel, www.Gurlitt.Info, Mary Lane, Fall Gurlitt, Gurlitt Collection, Sitting Woman, stolen art, Meike Hoffmann, Salzburg, Restitution, Wall Street Journal, World War II, Süddeutsche Zeitung, New York Times, Raubkunst, Münchner Kunstfund, Limbach Commission, Henri Matisse, Paul Rosenberg
It was hardly surprising that news that Cornelius Gurlitt was willing to return artworks taken from his apartment in 2012 that had once been taken from Jews spread quickly. What is regrettable is how quickly the headlines seem to have gone viral that he is going—or even willing—to return all of the paintings. Nothing that he or his representatives have said supports that contention. From the New York Times, for example:
Topics: Schwabinger Kunstfund, Hannes Hartung, Hildebrand Gurlitt, Cornelius Gurlitt, www.Gurlitt.Info, Mary Lane, Fall Gurlitt, Gurlitt Collection, Sitting Woman, stolen art, Meike Hoffmann, Salzburg, Restitution, Wall Street Journal, World War II, Süddeutsche Zeitung, New York Times, Raubkunst, Münchner Kunstfund, Limbach Commission, Henri Matisse, Paul Rosenberg
According to multiple news reports and his attorneys, Cornelius Gurlitt has filed a complaint for the return of the paintings seized in 2012 by the Augsburg prosecutor. Copies are not yet available, but the Gurlitt PR website www.Gurlitt.info" has a release that states as follows (thus far only in German). Stay tuned for developments if and when the document becomes available.
Topics: Schwabinger Kunstfund, Complaint, Nazi stolen art, Hannes Hartung, Hildebrand Gurlitt, Gurlitt Info, www.Gurlitt.Info, Augsburg, Germany, Tido Park, Gurlitt Collection, Beschwerde, Entartete Kunst, Gurlitt Facts, Beutekunst, Gurlitt, Restitution, Statute of Limitations, World War II, Derek Setz, degenerate art, Staatsanwalt, Strafprozessordnung (StPO) Paragraph 304, Soviet Union, Raubkunst, Verjährung, Münchner Kunstfund
Cornelius Gurlitt’s legal team has posted a new website called "Gurlitt Info" in similar (but not identical) German and English versions that is so contradicted by the repeated disclosures by the German government, that it is hard to imagine its intended purpose. As a public relations move, it is a disaster. The tactic may explain why the Augsburg prosecutor rejected the possibility of a deal with Gurlitt: he knows what he is dealing with. At the same time, the draft amendment to the statute of limitations, the Cultural Property Restitution Law (or "Lex Gurlitt," as it has somewhat misleadingly become known) is now formally before the Bundesrat for consideration as to whether to introduce the draft to the full Bundestag and possible enactment as the law of Germany. Bavarian Cultural Minister Winfried Bausbeck discusses the law here in a recent interview.
Topics: Cultural Property Restitution Law, Schwabinger Kunstfund, Bayern, Nazi stolen art, Hannes Hartung, Hildebrand Gurlitt, Gurlitt Info, Führermuseum, Germany, Gurlitt Collection, Lex Gurlitt, Red Army, Entartete Kunst, Winfried Bausbeck, Gurlitt Facts, Beutekunst, Salzburg, Bundestag, Bundesrat, Gurlitt, Restitution, Statute of Limitations, Augusburg, Bavaria, Linz, Der Spiegel, World War II, Task Force, degenerate art, Cultural Minister, Austria, Justizminister, www.lostart.de, Soviet Union, Washington Principles, Raubkunst, Verjährung, Kulturgut-Rückwehr-Gesetz, Münchner Kunstfund
One of Cornelius Gurlitt’s attorneys, Hannes Hartung, told the Wall Street Journal last week, and was again quoted in the Frankfurter Allgemeine Zeitung yesterday, that Gurlitt was open to possible resolutions to claims from heirs to the paintings found in his apartment in 2012. According to Hartung, Gurlitt is already in talks with heirs, and wants a “fair and equitable solution.”
Topics: Frankfurter Allgemeine Zeitung, Ich geb' nichts freiwillig zurück, FAZ, veschollene Kunst, Focus, Hannes Hartung, Cornelius Gurlitt, Schwabinger Kunstfund. Kunstfund München, Fall Gurlitt, The Art Newspaper, Gurlitt Collection, Max Beckmann, Hildebrand Gurlit, Entartete Kunst, Bar Braun, Özlem Gezer, Beutekunst, LACMA, Gurlitt, David D’Arcy, Der Spiegel, Wall Street Journal, Los Angeles County Museum of Art, degenerate art, Raubkunst