Art Law Report

Recap of “Rethinking Art Authentication” at the New York City Bar

Posted by Nicholas O'Donnell on December 10, 2015 at 6:34 AM

Last week the Art Law Committee of the New York City Bar Association hosted a terrific two-hour event. Entitled “Rethinking Art Authentication,” the discussion aimed to address a way forward from the problems of fakes, forgeries, and authentication lawsuits that have plagued the art market in recent years. It was a lively and fascinating evening.

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Topics: Karl Waldmann, Ceroni, Jacobs Technion-Cornell Institute, Leonardo da Vinci, Cady Noland, Knoedler, New York Assembly, Catalogue raisonée, authentication, Dean R. Nicyper, New York University, Colette Loll, Blue Room, Dan Flavin, Dada, Visual Artists Rights Act, Rick Johnson, Rethinking Art Authentication, The Work of Art in the Age of Mechanical Reproduct, Jennifer L. Mass, Art Law Committee, Trial Lawyers Association, Beltracchi, Events, La Bella Principessa, Hyperspectral imaging, Gerhard Richter, New York City Bar Association, Cornell Tech, Rijksmuseum, Cowboys Milking, Andy Warhol, Picasso, New York Senate, Walter Benjamin, Elmyr de Hory, Withers Bergman LLP, Amadeo Modigliani, Amy M. Adler

Museums in Bamberg and Karlsruhe Recognize a Sale Under Duress For What it Was, Seek to Do Right Thing

Posted by Nicholas O'Donnell on October 30, 2014 at 8:16 AM

Restitution policy at the federal and state level in Germany in recent months seems to have taken a certain direction that has been cause for criticism. Whether it is the recent decisions by the Limbach Commission that ignore longstanding law about sales under duress, the odd decision by the Federal Republic of Germany to resist a lawsuit over the Max Liebermann painting found in Cornelius Gurlitt’s apartment that the Gurlitt Task Force has already recommended be restituted, or the resistance to the claims by the Mendelssohn-Bartholdy heirs to Picasso’s Madame Soler, the trend has been towards obstruction and resistance rather than transparency and reconciliation. Notwithstanding the recent announcement of the Center for Cultural Property losses (the Deutsches Zentrum für Kulturgutverluste about which the jury is still out), this is cause for concern.

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Topics: Katharina Siefert, Schwabinger Kunstfund, Cornelius Gurlitt, Karlsruhe Kunsthalle, Freien Kunst- und Ritterschießen, Badische Landesmuseum, Max Liebermann, Bamberg, Gurlitt Collection, Woman in a Theatre Balcony, Lothar Franz von Schönborn, Madame Soler, Schönborn’sche Löwenpokal, Heinrich and Emma Budge, Reich Ministry for Art- and Museum Objects, Schönborn Lion Cup, Restitution, Upper Franconia, Mendelssohn-Bartholdy, Mannheim, Karlsruhe, Free and Knightly Art of Shooting, World War II, Elector-Bishop, Kurfürst, Reichserziehungsministerium für Kunst- und Museums, Kurt Martin, www.lostart.de, Center for Cultural Property, Museums, Fürst-Bischof, Picasso, Federal Republic of Germany, Deutsches Zentrum für Kulturgutverluste, Limbach Commission, Oberfranken, Prince-Elector of Mainz

No Infringement in Cariou v. Prince—Second Circuit Plays Art Critic and Finds Fair Use

Posted by Nicholas O'Donnell on April 25, 2013 at 11:11 AM

Two years after a U.S. District Court decision that sent shock waves through the contemporary art world, the Second Circuit Court of Appeals has reversed that earlier finding that Richard Prince infringed the copyright of Patrick Cariou. Instead, the appeals court ruled that all but five Prince works at issue were fair use under the Copyright Act, remanding the case to re-analyze those five works. It is as dramatic a win for appropriation art as the lower court decision was a chill on that art.

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Topics: Andy Warhol Foundation, Richard Prince, Copyright Act, Graduation, Second Circuit, Canal Zone, Patrick Cariou, Charlie Company, appropriation art, Meditation, Yes Rasta, Clifford Wallace, Warhol, Cézanne, Copyright, Canal Zone (2008), de Kooning, Picasso, Fair Use, Google, Canal Zone (2007)

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About the Blog


The Art Law Report provides timely updates and commentary on legal issues in the museum and visual arts communities. It is authored by Nicholas M. O'Donnell, partner in our Art & Museum Law Practice.

The material on this site is for general information only and is not legal advice. No liability is accepted for any loss or damage which may result from reliance on it. Always consult a qualified lawyer about a specific legal problem.

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