Germany Runs Counter to 20 Years of International Commitments
As readers know, my clients Alan Philipp and Gerald Stiebel sued the Federal Republic of Germany and the Stiftung Preussischer Kulturbesitz (SPK) in February for restitution of the Guelph Treasure (or Welfenschatz as it is known in Germany), assisted by my co-counsel Mel Urbach, Esq. and Markus Stötzel of Marburg, Germany. As my co-counsel speak to an event tonight hosted by Congresswoman Grace Meng on the anniversary of Kristallnacht, an event inextricable to the persecution of Jews in Europe, Germany’s response to the Complaint advances a stunning revisionism about the Holocaust and the international commitments that Germany has made. While paying lip service to the seriousness of Jewish suffering, the papers filed in court are nothing less than an attempt to move the goalposts to exempt a historical period from responsibility about which there can be no serious debate. Independent condemnation was not far behind the filing.
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Topics:
Grace Meng,
Simon Wiesenthal Center,
Shoah,
Adolph von Menzel,
Hans Sachs,
Washington Principles on Nazi-Looted Art,
1943 London Inter-Allied Declaration,
Dachau,
Holocaust,
Mel Urbach,
SPK,
George Eduard Behrens,
Nuremberg race laws,
Holocaust revisionism,
Stiftung Preussischer Kulturbesitz,
Marburg,
Restitution,
Los Angeles,
Gerald Stiebel,
World War II,
Markus Stötzel,
Saemy Rosenberg,
Deutsches Historisches Museum,
Reichskristallnacht,
Isaac Rosenbaum,
Lucie Ruth Hackenbroch,
Federal Republic of Germany,
Zacharias Hackenbroch,
Pariser Wochentag,
Rabbi Abraham Cooper,
Paris Weekday,
Alan Philipp,
Welfenschatz,
Military Government Law 59,
Frankfurt
Quite by coincidence, two stories we have covered in the last few days have centered around the claims by the heirs of Paul von Mendelssohn Bartholdy, a Jewish banker and art collector who was the target of Nazi persecution before he died in 1935: Julius Schoeps, Edelgard von Lavergne-Peguilhen, and Florence Kesselstatt. Another common thread has been the Bavarian State Paintings Collection (the Bayerische Staatsgemäldesammlung), which is in the news again for possible claims, but this time from heirs of quite a different sort.
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Topics:
Paul von Mendelssohn Bartholdy,
Fritz Bamberger,
Focus,
Florence Kesselstatt,
Karl Blechen,
Karl Ernst Baumann,
Julius Schoeps,
Dr Alexander Lewin,
Germany,
Anselm Feuerbach,
Hans Sachs,
German Advisory Commission for the Return of Cultu,
Gurlitt case,
Edelgard von Lavergne-Peguilhen,
Julius and Clara Freund,
Eva Braun,
Nürnberger Institut,
Johann J. August von der Embde,
Stiftung Preussischer Kulturbesitz,
'Stürmer-Bibliothek',
Wilhelm Leibl,
Jim Tobias,
Portrait der Familie von Dithfurth,
Restitution,
Bavarian State Paintings Collection,
Bayerische Staatsgemäldesammlung,
Der Spiegel,
World War II,
Peasant Girl without a Hat and with a White Headcl,
Pinakothek der Moderne,
Prussian Cultural Heritage Foundation,
Austria,
Andrea Bambi Mountain Landscape on the Spanish Coa,
Jutta Limbach,
Washington Principles,
Der Stürmer,
Welfenschatz,
Limbach Commission
One of the issues exposed and exacerbated by the ongoing Gurlitt collection stalemate is the question of Germany’s restitution procedures with respect to art. As the Bavarian legislative proposal to abolish the statute of limitations for claims against bad-faith acquirers is considered by the Bundestag, the “German Advisory Commission for the Return of Cultural Property Seized as a Result of Nazi Persecution, Especially Jewish Property” has issued a decision over what has become known as the “Guelph Treasure” (Welfenschatz) in the collection of the Stiftung Preussischer Kulturbesitz (SPK), the Prussian Cultural Heritage Foundation. The March 20, 2014 opinion (available, so far as I know, only in German at this point at www.lostart.de) underscores the issues around claims of sales under duress, and the appropriate present-day procedural remedy. Readers should also brush up on their medieval German history to keep up.
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Topics:
Holy Roman Emperor Otto IV,
German Supreme Commercial Court,
Holy Roman Empire,
Bundeshandelsgericht,
German Supreme Constitutional Court,
Z.M. Hackenbroch,
Karl Blechen,
Duchy of Brunswick and Lüneburg,
Niedersachsen,
Karl Ernst Baumann,
Act of State,
Kingdom of Hanover. Königreich Hannover,
Dr Alexander Lewin,
Prussia,
Lower Saxony,
Anselm Feuerbach,
Gurlitt Collection,
Foreign Sovereign Immunities Act,
Preussen,
Hans Sachs,
German Advisory Commission for the Return of Cultu,
Hessen,
Fogg Art Museum,
Congress of Vienna,
Julius and Clara Freund,
Kurhannover,
Dresdner Bank,
Hermann Goring,
Austrian Supreme Court,
Johann J. August von der Embde,
House of Welf,
Stiftung Preussischer Kulturbesitz,
Wilhelm Leibl,
Portrait of Amalie Zuckerkandl,
Braunschweig-Lüneburg,
Harvard,
Portrait der Familie von Dithfurth,
Gurlitt,
Restitution,
George I,
J.S. Goldschmidt,
World War II,
Peasant Girl without a Hat and with a White Headcl,
Queen Victoria,
Prussian Cultural Heritage Foundation,
Art Institute of Chicago,
Kurfürsten,
Jutta Limbach,
www.lostart.de,
Soviet Union,
Gustav Klimt,
Bundesverfassungsgericht,
Welfenschatz,
Limbach Commission,
I. Rosenbaum,
Electors
The U.S. Court of Appeals for the 9th Circuit restored last week claims by heirs of Lilly Cassirer against the Thyssen-Bornemisza Collection for the return of the Camille Pissarro painting Rue St. Honoré, après-midi, êffet de pluie.
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Topics:
Nuremberg laws,
Schwabinger Kunstfund,
Cornelius Gurlitt,
Lilly Cassirer,
California Code of Civil Procedure § 338(c),
Dorothy Nelson,
Thyssen-Bornemisza Collection,
Julius Schoeps,
Rue St. Honoré après-midi êffet de pluie,
Claude Cassirer,
Von Saher v. Norton Simon,
de Csepel,
Jacques Goudstikker,
California Code of Civil Procedure § 354.3,
Gurlitt Collection,
Foreign Sovereign Immunities Act,
Hans Sachs,
Von Saher v. Norton Simon Museum of Art at Pasaden,
Madame Soler,
Bundesgerichtshof,
Hildebrand Gurlit,
Entartete Kunst,
Hans-Heinrich Thyssen-Bornemisza,
Hungarian National Gallery,
Nazis,
Munich,
Deutches Historisches Museum,
FSIA,
Preemption,
Gurlitt,
Harry Pregerson,
Restitution,
field preemption,
Marei Von Saher,
Herzog collection,
Bavaria,
Claudia Seger-Thomschitz,
Looted Art,
World War II,
Foreign Sovereign Immunities,
Pinakothek der Moderne,
degenerate art,
Altmann v. Republic of Austria,
578 F.3d 1016,
Freistaat Bayern,
beschlagnahmte Kunst,
Camille Pissarro,
Kim McLane Wardlaw,
Nürnberger Gesetze,
Raubkunst,
Museum of Fine Arts Boston,
Cassirer v. Thyssen-Bornemisza Collection,
verschollene Kunst,
Kunstfund München
The Hans Sachs collection that the Bundesgerichtshof in Karlsruhe ordered in March be returned to the Sachs heirs will be put up for auction in New York. The collection had more than 12,000 posters by artist that included Henri de Toulouse-Lautrec, Ludwig Hohlwein, Lucian Bernhard and Jules Cheret. The Deutsches Historisches Museum in Berlin, a museum of German history, held for several decades parts of a poster collection was seized from Sachs in 1938. After his arrest and incarceration, Sachs fled the country with his family.
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Topics:
Berlin,
Lucian Bernhard,
Guernsey’s Auctioneers & Brokers,
Catherine Hickley,
Hans Sachs,
Bloomberg,
Bundesgerichtshof,
Ludwig Hohlwein,
Restitution,
Henri de Toulouse-Lautrec,
Karlsruhe,
World War II,
Arlan Ettinger,
Deutsches Historisches Museum,
New York
For those of us trying to follow art law developments in Germany, particularly to get access to original source and court documents in German, Peter Bert’s Dispute Resolution in Germany Blog is a terrific source. Between the Hans Sachs collection case and the contuing fallout from the Wolfgang Beltracchi forgery scandal and the fictional “Jägers Collection,” Germany has had a busy year of art law prominence, particularly with regard to forgery issues. Two recent posts bear reading, both of which attach the original court opinions in German, for their interesting analysis.
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Topics:
Forgery,
Lempertz,
Peter Bert,
Germany,
Hans Sachs,
Wolfgang Beltracchi,
Dispute Resolution in Germany,
Copyright
Catherine Hickley of Bloomberg reports today from Berlin about a court-ordered return of more than 4,000 once owned by Hans Sachs, a Jewish dentist chased out of Nazi Germany. The Bundesgerichtshof (BGH) is Germany’s highest civil court, and handed down the decision.
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Topics:
Berlin,
Lucian Bernhard,
Catherine Hickley,
Hans Sachs,
Bloomberg,
Sachsenhausen,
Bundesgerichtshof,
Ludwig Hohlwein,
Deutches Historisches Museum,
Collections,
Restitution,
Henri de Toulouse-Lautrec,
World War II,
BGH,
Kristallnacht
