The New York Times reported yesterday that the German Lost Art Foundation had removed several paintings once owned by the Viennese cabaret actor Fritz Grünbaum from the Lost Art database. While the history of these objects is hotly contested, it was a particularly strange choice given that Grünbaum’s heirs just won a judgment earlier this year that the works by Schiele must be returned to them—by reason of Nazi duress. For a database that has never been suggested as an adjudication of rights but rather as a repository of notice to the world of possible title issues, it was a perplexing choice. Against the backdrop of the party that the German government and the foundation are throwing themselves in November for which few outsiders have been able to register, the explanation appears much less benign particularly against the backdrop of the government’s historical revisionism in U.S. federal court litigation.
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Topics:
laches,
Cornelius Gurlitt,
Germany,
Nazi-looted art,
res judicata,
Die Koordinierungsstelle für Kulturgutverluste,
Holocaust,
Magdeburg,
Fritz Grünbaum,
NS Raubkunst,
Bavaria,
Egon Schiele,
Mathilde Lukacs,
Task Force,
New York Times,
National Gallery,
A Tragic Fate,
German Lost Art Foundation,
Kieslinger,
Woman in a Black Pinafore,
Woman Hiding her Face,
Charles E. Ramos,
Seated Woman With Bent Left Leg (Torso)
After the 1998 Washington Conference on Holocaust Era Assets and the eponymous Washington Conference Principles on Nazi-Stolen Art that came out of it, it is hardly surprising that a recurring theme has been to assess the progress of those nations that participated and signed on. Equally unsurprisingly, those assessments are usually more anecdotal than empirical, and usually arise out of a particular case or cases in the context of that country’s response.
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Topics:
Graham Bowley,
Macedonia,
Netherlands,
Terezin Declaration,
Mussolini,
Latvia,
Dr. Wesley A. Fisher,
Hungary,
ICOM,
Bulgaria,
Commission for the Compensation of Victims of Spol,
Germany,
Bavarian Minister of Culture,
Nazi-looted art,
Die Welt,
Belarus,
Lex Gurlitt,
Washington Conference on Holocaust Era Assets,
France,
Dr. Ruth Weinberger,
Romania,
Baron Mor Lipot Herzog,
Winfried Bausbeck,
Belgium,
Slovakia,
Vichy,
World Jewish Restitution Organization,
Bundesrat,
Washington Conference Principles on Nazi-Stolen Ar,
Gurlitt,
WJRO,
NS Raubkunst,
Restitution,
International Council of Museums,
Norway,
United States,
Luxembourg,
Looted Art,
World War II,
St. Petersburg,
Poland,
beschlagnahmte Kunst,
Ukraine,
Austria,
Serbia,
Conference on Jewish Material Claims Against Germa,
Italy,
Bosnia,
New York Times,
Monika Grütters,
Slovenia,
Estonia,
Museum and Politics Conference,
National Gallery,
Museum of Fine Arts,
entzogogene Kunst,
Czech Republic
Judge Robert Okun closed the first week of hearings yesterday on the proposed modifications to the Corcoran Gallery and the Corcoran Gallery of Art + Design in Washington, DC. The Corcoran’s trustees have petitioned the DC Superior Court for cy prés, to modify the trust that governs the two institutions to allow mergers with the National Gallery and George Washington University. All told, reports indicate that both sides have made strong presentations of the financial hardship on the one hand, and the possibility that the proposal may not be the only way out of this on the other.
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Topics:
Linda Daschle,
Deaccession,
Kenneth Duberstein,
George Washington University,
William “Billy” Martin,
University of Maryland,
Adrian M. Fenty,
Wayne Reynolds,
Cy Pres,
Corcoran College of Art + Design,
Catherine Merrill Williams,
Wallace D. Loh,
Buffy Cafritz,
Lauren Stack,
Frank Connor III,
Trusts,
The Washington Post,
Corcoran Gallery,
Museums,
Susan Molinari,
Harry F. Hopper III,
National Gallery,
Graham Holdings,
Richard Okun,
Marcus Brauchli
