As I prepare for a trip to Vienna for next week’s International Bar Association Annual Meeting, there is some topical restitution news, but it is hardly good. The imminent incarceration of Stephan Templ, a journalist and historian, for the omission of another relative from his mother’s application for Holocaust compensation, is as bizarre as it is disheartening. One hopes that a pardon, his last available recourse, will soon be forthcoming.
Stephan Templ, Chronicler of Nazi Looting in Vienna, Set to Begin Jail Term Over Supposed Omission in His Mother’s Holocaust Restitution Claim
Topics: Maria Altmann, Reibpartie, Robert Amsterdam, Portrait of Adele Bloch-Bauer, Der Standard, Stephan Templ, Nazi Looting, Scrubbing Parties, Ringstrasse, Ambassador Manz, Museum of Modern Art, Holocaust, Beethoven Frieze, Lothar Furth, Unser Wien: “Arisierung” auf österreichisch, Heinz Fischer, Restitution, Elisabeth Kretschmer, National Fund of the Republic of Austria for Victi, Egon Schiele, World War II, Eva Blimlinger, Portrait of Wally, Austria, The Missing Image, Natural History Museum, Ruth Beckermann, Gustav Klimt, Albertinaplatz, Our Vienna: “Aryanization” Austrian Style, Kurt Hankiewicz, Vienna, Anschluss, Baldur von Schirach, Limbach Commission, International Bar Association, Tina Walzer
The Next Gurlitt? Records from Weinmüller Auction House Made Available Online
Among the many legacies of the Gurlitt saga is a renewed focus on the importance of Nazi-approved art dealers like Karl Haberstock to the expropriation, outlawing, and re-sale of art either owned by Jewish collectors or which was thematically disapproved by the Nazi state. Relatedly, it has served as a reminder of the often cursory review that many of these men received after the war, and the acceptance of their proffered explanations, like those of Hildebrand Gurlitt, that “everything was destroyed in a bombing attack.” Now, the German Central Institute for Art history is set to make public the records of Adolf Weinmüller and his eponymous auction house (later renamed Neumeister).
Topics: Meike Hopp, Schwabinger Kunstfund, Was einmal war, Hildebrand Gurlitt, Cornelius Gurlitt, Zentralinstitut für Kunstgeschichte, Lost Art Database, Schwabinger Taskforce, Gurlitt Task Force, Nazi-looted art, Gurlitt Collection, Karl Haberstock, Kende, Entartete Kunst, Munich, Restitution, Wien, World War II, degenerate art, www.lostart.de, München, Adolf Weinmüller, Neumeister Auction House, Aryanized, Sophie Lille, Unser Wien ‘Arisierung’ auf Österreich, Nazi Raubkunst, Vienna, Tina Walzer