The Stiftung Preussischer Kulturbesitz (Prussian Cultural Heritage Foundation, or SPK) in Berlin announced that it had agreed to restitute a 1537 painting of the biblical figure Lot by Hans Baldung Grien to the heirs of Hans Purrmann, a German painter persecuted as a “degenerate” artist in the infamous Nazi action of the same name. Purrmann sold the Grien painting in 1937.
Topics: Berlin, Expressionist, Guelph Treasure, Hildebrand Gurlitt, Nazi-looted art, Max Beckmann, Karl Buchholz, SPK, Stiftung Preussischer Kulturbesitz, Hermann Goering, Kirchner, Degenerate Art Action, Prussian Cultural Heritage Foundation, Raubkunst, Welfenschatz, Hans Purrmann, Neue Sachlichkeit, Freund, Han Baldung Grien, Ferdinand Möller, Bernhard Böhmer, New Objectivity, Grosz
Just days after attorneys for Cornelius Gurlitt floated the idea of discussions with survivors and heirs for a possible resolution to the questions about the artworks found in his apartment two years ago that are suspected of having been stolen or sold under duress during the Nazi era (and after the prosecutor was ordered to make a full list available to journalists), the prosecutor in charge of the investigation categorically rejected the possibility of any deal with Gurlitt.
Topics: Erhard Göpel, Frankfurter Allgemeine Zeitung, Stuttgart, Wiesbaden, FAZ, Focus, Hildebrand Gurlitt, Cornelius Gurlitt, Augsburg, Amsterdam, Willi Korte, Schwabinger Kunstfund. Kunstfund München, Marvin Fishman, Reinhard Nemetz, Gurlitt Task Force, Germany, Fall Gurlitt, The Art Newspaper, Gurlitt Collection, Max Beckmann, Karl Buchholz, Robert Looker, Entartete Kunst, Bar Braun, Beutekunst, Schwabing, Magdeburg, LACMA, Ersessene Kunst, Harvard, Gurlitt, Bavaria, Busch-Reisinger, Los Angeles County Museum of Art, degenerate art, the Central Collecting Point, Augsburger Staatsanwalt, www.lostart.de, Nazi art, Sotheby's, Roman Norbert Ketterer, Raubkunst, Verjährung, Mayen Beckmann, National Gallery Berlin, verschollene Kunst, De-Nazification, Selbstbildnis, Self Portrait