The Stiftung Preussischer Kulturbesitz (Prussian Cultural Heritage Foundation, or SPK) in Berlin announced that it had agreed to restitute a 1537 painting of the biblical figure Lot by Hans Baldung Grien to the heirs of Hans Purrmann, a German painter persecuted as a “degenerate” artist in the infamous Nazi action of the same name. Purrmann sold the Grien painting in 1937.
Topics: Berlin, Expressionist, Guelph Treasure, Hildebrand Gurlitt, Nazi-looted art, Max Beckmann, Karl Buchholz, SPK, Stiftung Preussischer Kulturbesitz, Hermann Goering, Kirchner, Degenerate Art Action, Prussian Cultural Heritage Foundation, Raubkunst, Welfenschatz, Hans Purrmann, Neue Sachlichkeit, Freund, Han Baldung Grien, Ferdinand Möller, Bernhard Böhmer, New Objectivity, Grosz
There have been occasional references during the Gurlitt affair to the possiblity that some of the paintings seized from Hildebrand Gurlitt's apartment had been exhibited in the United States. Details have been sparse. With a copy of the out-of-print catalogue from that exhibition now in hand, however, we can start to identify the scope of this U.S. contact—and thus the basis for possible claims against Gurlitt and/or the Federal Republic of Germany by those paintings' original owners or heirs. Until the disclosures by the Gurlitt Task Force are complete, it remains to be seen which.
Topics: Schwabinger Kunstfund, Max Beckmann. www.lostart.de, Lempertz, Cornelius Gurlitt, Nolde, Gurlitt Task Force, Art Association for the Rhineland and Westphalia, Gurlitt Collection, Lion Tamer, Hildebrandt Gurlitt, Entartete Kunst, Restitution, Kirchner, Kandinsky, World War II, German Watercolors Drawings and Prints, Löwenbändiger, Kunstverein Düsseldorf, A Loan Exhibition Sponsored by the Federal Republi, Franz Marc, Large Horse, Federal Republic of Germany, Raubkunst, Zandvoordt