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Gurlitt Vows to Fight for Art Collection, Possible Limitations Under German Law Still Unclear. Does Austria Have Say?

Posted by Nicholas O'Donnell on November 18, 2013 at 4:41 AM

Der Spiegel conducted a face to face interview with Cornelius Gurlitt that was published over the weekend, addressing his intentions about the 1,400 artworks connected to Nazi looting. Most striking was Gurlitt’s declaration with regard to the artworks seized by Bavarian tax authorities “I will give nothing back willingly.” The highlights of the interview, available in both German and English (the fuller version only in print, in German), ranges from discussing Gurlitt’s reclusive existence, to his perceived victimhood, to some standard-fare denialism (like that Hildebrand engaged in the commerce of “degenerate art” nearly always sold under duress or worse only in order to “save” the art).

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Topics: veschollene Kunst, Cornelius Gurlitt, Schwabinger Kunstfund. Kunstfund München, Verjährungsfrist, Legal Times, prescriptive ownership, Gurlitt Collection, österreiches Recht, Bundesgerichtshof, Hildebrand Gurlit, Entartete Kunst, Nazis, Munich, Salzburg, Gurlitt, Restitution, City of Gotha et al. v. Sotheby’s et al., Statute of Limitations, Looted Art, World War II, deutches Recht, degenerate art, Austria, München, Raubkunst, German Civil Code § 221, Österreich

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The Art Law Report provides timely updates and commentary on legal issues in the museum and visual arts communities. It is authored by Nicholas M. O'Donnell, partner in our Art & Museum Law Practice.

The material on this site is for general information only and is not legal advice. No liability is accepted for any loss or damage which may result from reliance on it. Always consult a qualified lawyer about a specific legal problem.

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