Sullivan Blogs | Art Law Report | Nazi-confiscated art

Allentown Art Museum to Auction Cranach Painting Once Owned by Collector Persecuted in Nazi Germany

Posted by Nicholas O'Donnell on August 26, 2024 at 10:51 AM

I was proud to advise the Allentown Art Museum, which announced today that it has reached an agreement with the heirs of Henry and Hertha Bromberg concerning Portrait of George, Duke of Saxony by Lucas Cranach the Elder and his workshop. Pursuant to the agreement, the painting will be auctioned at Christie’s in New York next year following educational programming focusing on the painting’s history. The Museum’s press release can be read here. The story was also addressed in an excellent article in The New York Times by Graham Bowley.

(Portrait of George the Bearded, Duke of Saxony, by Lucas Cranach the Elder and workshop)

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Topics: Graham Bowley, Paris, Washington Conference Principles, Christie's, Hamburg, Lucas Cranach the Elder, The New York Times, Nazi-confiscated art, Henry Bromberg, Hertha Bromberg, Martin Bromberg, Max Weintraub, Reichsfluchtsteuer, Allen Loebl, F. Kleinberger Gallery, property inventory, Allentown Art Museum, Portrait of George the Bearded Duke of Saxony, Porträt des Georg dem Bärtigen Herzog von Sachsen, Vermögensverzeichnis, Wildenstein

Radio Interview Examines Recent Nazi-Looted Art Court Decisions

Posted by Nicholas O'Donnell on May 28, 2019 at 11:38 AM

I was pleased for the opportunity to chat with Larry Perel of KCRW in Santa Barbara about the significance of the recent ruling that the Thyssen-Bornemisza Museum in Madrid is the owner of Rue St. Honoré, effet de pluie by Camille Pissarro—notwithstanding that there was no dispute that it had been looted from the Cassirer by the Nazis. You can listen to the full audio of the radio broadcast here. I discussed the Cassirer case, the more recent decision by the United States Supreme Court not to hear further appeal of Marei von Saher’s lawsuit against the Norton Simon Museum, and other current issues concerning the restitution of Nazi-confiscated art claims. You can read more background on these cases here at the Art Law Report, or in A Tragic Fate—Law and Ethics in the Battle Over Nazi-Looted Art.

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Topics: Nazi-looted art, Marei Von Saher, Camille Pissarro, Art Law Report, A Tragic Fate, Thyssen-Bornemisza Museum, Rue St. Honoré effet de pluie, Nazi-confiscated art, Larry Perel, KCRW, Santa Barbara, Madrid