Cousin Had Challenged His Capacity to Make a Will Shortly Before 2014 Death
After a two-year legal battle, the Oberlandesgericht in Munich has upheld the dismissal of Uta Werner’s challenge to the will made by Cornelius Gurlitt in 2014 that designated the Kunstmuseum Bern as his heir, including the bequest of his controversial painting collection. Less than six months after it was revealed in November 2013 that the Bavarian authorities had seized 1,280 objects from his Schwabing home in Munich, Gurlitt wrote a will that designated that his entire collection would go to the Swiss museum. Barring some extraordinary appeal, the bequest will now be final and the collection will go to Switzerland. While lifting considerable uncertainty about the fate of the collection as a whole, this development does not address the lack of clarity about the process by which the objects that are suspected of having been looted by the Nazis will be examined or returned.
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Topics:
Bayern,
Hildebrand Gurlitt,
Cornelius Gurlitt,
Nazi-looted art in Munich,
SZ,
Uta Werner,
Nazi-looted art,
Oberlandesgericht,
Munich,
Sueddeutsche Zeitung,
Gurlitt,
NS Raubkunst,
Catrin Lorch,
Free State of Bavaria,
Kunstmuseum Bern,
Washington Principles,
Jörg Häntzschel,
Bürgerliches Gesetzbuch (BGB)
Sophisticated Analysis of Adolph von Menzel Drawing Distinguishes Itself from Recent Revisionism Elsewhere
As the original term of the Gurlitt Task Force (Taskforce Schwabinger Kunstfund) winds down, the panel has issued a report on a work that it deems appropriate for restitution: Interior of a Gothic Church (Inneres einer gottischen Kirche) by Adolph von Menzel (pencil drawing, signed/dated 1874). The drawing has been called Church in Hofgastein in some English language articles.
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Topics:
Interior of a Gothic Church,
Hildebrand Gurlitt,
Cornelius Gurlitt,
Nazi Germany,
Inneres einer gottischen Kirche,
Dresden,
Gurlitt Task Force,
Adolph von Menzel,
Nazi-looted art,
Gurlitt Collection,
Ernst Julius Wolffson,
Washington Principles on Nazi-Looted Art,
Advisory Commission,
Munich,
Albert Martin Wolffson,
Salzburg,
Restitution,
Catrin Lorch,
Bavaria,
World War II,
Switzerland,
Süddeutsche Zeitung,
Austria,
Kunstmuseum Bern,
Federal Republic of Germany,
Raubkunst,
Taskforce Schwabinger Kunstfund,
Elsa Helene Cohen,
Limbach Commission,
Jörg Häntzschel
A Munich court ruled last week that the will written by Cornelius Gurlitt in the last days of his life that named the Kunstmuseum Bern (an institution with which he had no relationship whatsoever) was valid, rejecting a challenge by Gurlitt’s cousin Uta Werner. It is emblematic of the strange case of Gurlitt and of German’s bizarre handling of the affair, that this decision resolves very few of the pending issues.
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Topics:
Conny Leaks,
Focus,
Carl Spitzweg,
Hildebrand Gurlitt,
Potemkin Village,
Cornelius Gurlitt,
Breslau,
Henri Hinrichsen,
German Minister of Culture,
Uta Werner,
Gurlitt Task Force,
Max Liebermann,
Germany,
Nazi-looted art,
Gurlitt Collection,
Seated Woman,
Two Riders on the Beach,
Entartete Kunst,
Salzburg,
Gurlitt,
NS Raubkunst,
Seuddeutsche Zeitung,
Restitution,
Catrin Lorch,
Bavaria,
David Toren,
World War II,
degenerate art,
beschlagnahmte Kunst,
Austria,
Kunstmuseum Bern,
Monika Grütters,
Martha Hinrichsen,
David Friedmann,
Henri Matisse,
Jörg Häntzschel,
Paul Rosenberg
