Schweizer Radio und Fernsehen (SRF) reported yesterday that the challenge by Uta Werner to her cousin Cornelius Gurlitt’s will may extend late into this year. Werner has petitioned the court in Munich to set aside the last will and testament that named the Kunstmuseum in Bern as Gurlitt’s sole heir and beneficiary of the 1,280 works of art found in his apartment in 2012, as well as those in Salzburg. In November, the Kunstmuseum, the Bavarian government, and the German government announced to great fanfare but little analysis that the museum would accept the bequest and work with the Gurlitt Task Force to sort through objects with questionable provenance related to Hildebrand Gurlitt’s role as an approved dealer of “degenerate art” under the Nazis, and the concern that some of the objects may be Nazi-looted art.
Topics: Frankfurter Allgemeine Zeitung, Cornelius Gurlitt, Breslau, Henri Hinrichsen, Stefan Koldehoff, Die Bilder Sind Unter Uns Das Geschäft mit der NS-, Zwei Reiter am Strand, Max Liebermann, Germany, Fall Gurlitt, Nazi-looted art, Gurlitt Collection, SRF, Hildebrand Gurltt, will contest, Gurlitt, Restitution, David Toren, World War II, Task Force, Die Zeit, Schweizer Radio und Fernsehen, Kunstmuseum Bern, Martha Hinrichsen, Raubkunst, The Pictures Are Under Us Business in Nazi-Looted, last will and testament
The attorney for the recently deceased Cornelius Gurlitt, Stephan Edel, told Der Spiegel today that “At the present time, only eight works must be returned from the collection as a result of Nazi persecution,” (my translation). Edel went on to say “Whether further works will follow, must await the results of the ongoing research.”
Topics: Schwabinger Kunstfund, Hildebrand Gurlitt, Cornelius Gurlitt, www.Gurlitt.Info, Wolfgang Seybold, German museums, Nazi-looted art, Gurlitt Collection, Entartete Kunst, will contest, Curt Valentin, Restitution, Der Spiegel, World War II, Bunte, degenerate art, Kunstmuseum Bern, Nazi Raubkunst, Kunstfund München