I am pleased to announce that I will be among the speakers in Milan on September 30, 2024 at a conference organized by the Universitá degli Studi della Campania Luigi Vantivelli and the UNESCO Chair on Business Integrity and Crime Prevention in Art and Antiquities Market: “Preventing Art Crimes Through Regulation and Self-Regulation.” To be held at the Palazzo Visconti, the conference will offer a full day of expert speakers on the topics of Updating the UNESCO International Code of Ethics for Dealers in Cultural Property; Codes of Conduct, Codes of Ethics and Other Soft Law Tools in Cultural Heritage (in which I will be a discussant); the Legal Impact of Due Diligence Procedures and Acquisition, Anti-Money Laundering in the Art Market; and Industry Practices and Judicial Applications: Lessons to be Learned. The program is below, and registration may be found here.

As the title and expertise of the participants suggest, this will be an excellent broad view of the question of regulation in cultural property, and the extent to which market participants can guide the outcome. It will focus on public-private partnerships for the prevention of wrongdoings against cultural property, and specific attention will be devoted to the role that codes of conduct, due diligence, and KYC procedures play in this area. I am excited to be a part of the event and see many old friends. I hope that if you are nearby you will join us, or attend remotely if you are not.

Topics: Anne Laure Bandle, Irina Tarsis, Saskia Hufnagel, Events, UNESCO, ARCA, Center for Art Law, Leiden University, Borel & Barbey, Giuseppe Calabi, Sunna Altnoder, Louise Malécot, Stefano Manacorda, Universitá Luigi Vantivelli, Tess Davis, Antiquities Coalition, Alessandra Donati, University of Milan Bicocca, Toshiyuki Kono, Kyushu University, Marc Balcells, Marco Colacurci, Lynda Albertson, Association for Research on Crimes Against Art, Rena Neville, Corinth Consulting Ltd., Arianna Visconti, Universitá Cattolica del Sacro Cuore, Umit Turksen, Coventry University, Anna Mosna, Erika Bochereau, CINOA, Riccardo Ercole Omodel, University of Palermo, Eugenio Fusco, Milan Public Prosecutor, Guido Carlo Alleva, Giuseppe Catalano, Assicurazioni Generali S.p.A., Antonella Crippa, Intesa Sanpaolo, Palazzo Visconti, University Oberta de Catalunya, University of Sydney

The Responsible Art Market Initiative will hold its annual conference next week in Geneva on January 25, 2024 (Thursday) at the art fair artgenève. RAM, which has increasingly been recognized as an industry leader in best practices in the art market, will present a keynote speaker and two discussion panels (one of which I will chair). The program and registration are available here.

After introductory remarks by Anne Laure Bandle of Borel & Barbey, Anthony Meyer of Galerie Meyer Oceanic & Eskimo Art in Paris will deliver the keynote address.

Next, I will moderate a panel of experts to discuss the current antiquities market. We will present and analyze some updated guidance to the RAM Due Diligence toolkit to address the antiquities market specifically.

The final panel of the day will discuss artificial intelligence (AI) and at. Few topics are as salient today as AI.

RAM’s events are always a unique opportunity to gather with art market participants from many sectors of the market. I look forward to seeing you in Geneva!

Topics: Anne Laure Bandle, Maastricht, TEFAF, Paris, Geneva, Mathilde Heaton, Jean-Bernard Schmid, Responsible Art Market initiative, Borel & Barbey, Phillips Auctioneers, Lausanne, artgenève, Anthony Meyer, Galerie Meyer Oceanic & Eskimo Art, Will Korner, Isabelle Tassignon, Fondation Gandur pour l’Art, Eric Drass, shardcore, Nicolas Henchoz, EPFL+ECAL Lab, Alexandre Jotterand

The Responsible Art Market Initiative will hold its 7^th Annual Conference on January 27, 2023 at artgénève at the Palexpo in Geneva, Switzerland. RAM has been holding this event annually in parallel to the art fair in Geneva, and it has become a must-attend conference for trends in market practices, standards, and risks. Registration is open through tomorrow, January 20, 2023, so don’t miss out.

This year’s conference (program here) lives up to the standards set by past events. The conference will feature two panels, and a keynote introduction that I will present on relationships between collectors, artists and galleries.

Topics: Anne Laure Bandle, Art Law Foundation, Geneva, artgenève, Mathilde Heaton, Responsible Art Market, Phillips, Palexpo, Martin Wilson, Piergiorgio Pepe, Gallery von Bartha, Ethics of Collecting and Quantum Ethics, Stefan von Bartha, Karim Noureldin, Adèle Aschehoug, Plateforme 10, Maria de Peverelli, Amir Shariat, Lausanne, Stonehage Fleming Art Management, Richard Barnett, The National Gallery London

It has been a great source of pride that in the last year, the Art, Cultural Institutions and Heritage Law Committee of the International Bar Association has remained active and engaged with issues of art and cultural property law despite the pandemic. We had a very exciting in-person program organized and ready to go for June, 2020 at the Ecole du Louvre, where I snapped this picture in February 2020 expecting to be back just four months later. Fate intervened, of course, but with thanks to my co-chair last year Giuseppe Calabi, and my co-chair starting January 1 of this year Anne-Sophie Nardon, we have held a webinar in June, a panel at the IBA’s Virtually Together conference, and stayed active in our publications and newsletter. Cultural property and commercial art law certainly hasn’t taken a break for the pandemic, and while I very much miss our in-person gatherings, it has allowed us to reach new members and grow the ranks of our officer team. We are ever larger and more diverse, with officer representation from every continent except Australia (and Antarctica--so far!).

Topics: Karen Sanig, Anne Laure Bandle, Sullivan & Worcester LLP, Nicholas M. O'Donnell, Mishcon de Reya, Art Loss Register, Court of Arbitration for Art, Sharon Hecker, Anne-Sophie Nardon, Borel & Barbey, Olivier de Baecque, Giuseppe Calabi, Davina Given, Armstrong Teasdale LLP, Stan Putter, Angell Xi, Jingtian & Gongcheng, Reynolds Porter Chamberlain, James Ratcliffe, CBM & Partners Studio, Klaus-Jürgen Kraatz, Kraatz & Kraatz, Noor Kadhim, Smallegange, Steve Schindler, Schindler Cohen & Hochman

As potential regulation of the art market gathers in the United States, the increasing relevance of the Responsible Art Market Initiative is ever clearer. And while we will miss gathering in Geneva for the first time in several years, RAM is undeterred. Join us on Friday January 29, 2021 for a virtual edition of the annual RAM event, this year entitled “Innovation and change in a Responsible Art Market.” The program follows below (including a virtual networking opportunity), and registration by 27 January 2021 can be accomplished using the following link: www.responsibleartmarket.org/event-registration. 

See you then. Until next year, this will have to suffice for ein Stückchen der Schweiz from last February:

Topics: Anne Laure Bandle, Reibpartie, Pierre-Auguste Renoir, Art Law Foundation, New York University, TEFAF, Geneva, Sandrine Giroud, Lalive, Albert Martin Wolffson, Eugene Driker, Sullivan & Worcester LLP, Henry Zacharias, Copyright, EPA Victory, Sullivan and Worcester LLP, Bonhams, Nicholas M. O'Donnell, Elmyr de Hory, Mathilde Heaton, RAM, Responsible Art Market initiative, Phillips, Stephenson Harwood, Jonathan Petropoulos, Nanne Dekking, Artory, National Defense Authorization Act, Nicolas Galley, Borel & Barbey, Valentina Volshkova, Masterworks, Tom Christopherson, Melanie Damani, Pace Gallery, University of Zurich, Masha Golovina, Hottinger Group, Freya Simms, LAPADA, The Association of Art and Antiques Dealers, Audry Li, Zhong Lun Law Firm, Shanghai

For several years late January has been occasion for gatherings of the Responsible Art Market Initiative, a collective of art market stakeholders striving for consistency and standards in the international market that started in collaboration with the Art Law Centre at the University of Geneva. I have been proud to contribute to the RAM Task Force as it composed the Due Diligence Toolkit and country guides for, among other things, anti-money laundering legislation, and I am currently on the Advisory Board.

Topics: Anne Laure Bandle, Geneva, Sandrine Giroud, Christie's, Megan Noh, Art Law Centre, University of Geneva, Mathilde Heaton, Responsible Art Market, Marc-André Renold, Ralph Wyss, Deloitte, Phillips, An Art Market in Evolution, 5th European Anti-Money Laundering Directive, Artssurance, Anne-Claire Bisch-Saffioti, LINK Management, Sharon Hecker, Sarah Charles, Catherine Denoun, Rudy Capildeo, Katharina Ammann, Swiss Institute for Art Research, Sarah Allen, Hauser & Wirth, Anne-Sophie Nardon

I was pleased to attend last week in Geneva “Building an Art Market for the Future—Guidelines for Countering Money Laundering and Terrorist Financing Threats” hosted by the Fondation pour le Droit d’Art (Art Law Foundation) and the Art Law Centre of the University of Geneva.  The conference was the official launch of the Responsible Art Market initiative, and offered valuable, market-focused discussion about the risks of money laundering and terrorist financing in the art market.  Refreshingly, the day’s panel discussions focused on best practices and goals, rather than the oft-heard lamentations about problems with the art market.  The implicit point that came through was a powerful one: as both private sellers and law enforcement speakers explained, art dealers are not engaged in large-scale shadowy financial dealings.  But art dealers and buyers are at serious risk of being used by criminals engaged in money laundering, which can have serious consequences.  Because willful blindness is no defense, the conference and the initiative provided valuable practical advice.

Topics: Pierre Gabus, Anne Laure Bandle, Art Dealers Association of Switzerland, Art Law Foundation, Geneva, Sandrine Giroud, Luxembourg, Switzerland, Art Law Centre, University of Geneva, AML, Terrorist financing, Sylvia Furrer Hoffmann, Ricardo Sansoletti, Ursula Cassani, Simon Studer, Mathilde Heaton, Fondation pour le Droit d’Art, Jean-Bernard Schmid, Rakhi Talwar, Ralph Wyss, Responsible Art Market initiative, Money laundering, Stiftung Kunsthalle, Bern, Deloitte

The Fondation pour le Droit d’Art (Art Law Foundation) is a Geneva-based group that sponsors exploration of important topics at the intersection of art and law.  Over the last few years, often in collaboration with the Art Law Centre of the University of Geneva, they have explored with particular skill a number of complex questions about the commercial components of the international art market.  As we have touted before, their events are routinely of the highest quality.  I am pleased to note the following upcoming event on January 26, 2017 at artgenève, which I am very much looking forward to attending (the program is in English).  Registration is available here.  Hope to see you there! 

Topics: Pierre Gabus, Anne Laure Bandle, Art Law Foundation, Geneva, artgenève, Sandrine Giroud, Lalive, Events, University of Geneva, Ursula Cassani, Riccardo Sansonetti, Simon Studer, Mathilde Heaton, Responsible Art Market, Fondation pour le Droit d’Art, Marc-André Renold, Jean-Bernard Schmid, Rakhi Talwar, Ralph Wyss, RAM

Topics: cultural property, Anne Laure Bandle, David Carey Miller, Jos Van Beurden, Michail Risvas, Bruno S. Frey, Sebastian A. Green Martinez, Anne-Marie Carstens, Jan Hladik, Christa Roodt, Asoid Garcia-Marquez, Alessandro Chechi, Restitution, Craig Forrest, Athina Papaefstratiou Fouchard, Eleni Polymenopoulou, Yannick Radi, Christian Armbruester, S. I. Strong, University of Maastricht, Andrzej Jakubowski, Art and Heritage Disputes, Sabrina Urbinati