As the ball teeters above Times Square, and the Glühwein begins to mull on the Art Law Report stove (don’t forget the cinnamon!), a gimmicky but apropos act of reflection is to look back at the biggest stories of 2014, both in art law generally and for yours truly and Sullivan & Worcester LLP. In highly subjective, unverifiable, and immediately criticizeable order, here they are. Thanks as always for reading, and best wishes for in interesting, prosperous New Year. If you agree, disagree, or otherwise, please continue to stay in touch and carry the conversation forward.
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Topics: Comedy Central, Deaccession, Schwabinger Kunstfund, Charitable Foundations, National Gallery of Art, Knoedler, Cornelius Gurlitt, Blogs, authentication, authenticity, parody, William Corcoran, Moral Rights, Above the Law, Germany, George Washington University, Glühwein, Nazi-looted art, Gurlitt Collection, Norton Simon, Graffiti Art, Superior Court, Cy Pres, Washington DC, VARA, Detroit Institute of Arts, Bankruptcy, Corcoran College of Art + Design, Dumb Starbucks, Preemption, Asher Edelman, DIA, Restitution, Marei Von Saher, Artmentum GmbH, Bavaria, Sullivan & Worcester LLP, World War II, Copyright, Times Square, Art Fairs, Kunstmuseum Bern, Corcoran Gallery, Ninth Circuit Court of Appeals, Museums, Raubkunst, Detroit Bankruptcy, Fair Use, Münchner Kunstfund, Foreign Cultural Exchange Jurisdictional Immunity, Graffiti, Civil Forfeiture, Art Law Report
The Department of Justice has made public its plans to let the deadline pass for seeking rehearing or further review of the June, 2014 decision affirming the dismissal of its efforts to seize the Mask of Ka Nefer Nefer in the St. Louis Art Museum by civil forfeiture. In an interview with St. Louis Post-Dispatch, United States Attorney Richard Callahan stated that “The Department of Justice will take no further legal action with respect to the mask.”
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Topics: Mask of Ka-Nefer-Nefer, St. Louis Art Museum, Department of Justice, Fed. R. Civ. P. 59(e), the Art Law Report, 19 U.S.C. § 1595a, United States, Federal Rules of Civil Procedure, Museums, Customs, Civil Forfeiture, Ancient Egypt
I wondered aloud two weeks ago what the St. Louis Art Museum would do with its declaratory judgment action over the Mask of Ka-Nefer-Nefer after the U.S. Court of Appeals for the 8th Circuit affirmed the dismissal of the related forfeiture action brought by the government. With the question of seizure answered for good, I suggested that the museum’s next move might be to dismiss its first-filed lawsuit, because its incentive to litigate the question of title was effectively removed entirely with the forfeiture off the table. Judith H. Dobrzynski picked up on this theme at Real Clear Arts.
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Topics: Mask of Ka-Nefer-Nefer, Real Clear Arts, St. Louis Art Museum, Department of Justice, Judith H. Dobrzynski, Fed. R. Civ. P. 59(e), 19 U.S.C. § 1595a, United States, Federal Rules of Civil Procedure, Customs, Civil Forfeiture, Ancient Egypt
On the heels of the St. Louis Art Museum’s victory against the civil forfeiture action over the Mask of Ka-Nefer-Nefer, the question arises what the museum will do with the lawsuit it filed in 2011 concerning the mask. That lawsuit, The Art Museum Subdistrict of the Metropolitan Zoological Park and Museum District of the City of Saint Louis and the County of Saint Louis, (the “SLAM Case”) filed before the civil forfeiture action that was the subject of last week’s opinion(United States vs. Mask of Ka-Nefer-Nefer, hereafter the “Forfeiture Action”), sought a declaratory judgment on several issues. This tactic is not uncommon when two parties disagree over a claim; essentially the party who would ordinarily be the defendant (here the possessor of the property, the museum), seeks offensively a declaration about the parties’ rights. Because of its recent victory in the Forfeiture Action, the museum’s best move may be to dismiss the SLAM Case now, rather than litigate ownership questions that it no longer has to answer.
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Topics: Mask of Ka-Nefer-Nefer, Mohamed Ibrahim, St. Louis Art Museum, Department of Justice, Fed. R. Civ. P. 59(e), the Art Law Report, 19 U.S.C. § 1595a, United States, Federal Rules of Civil Procedure, Customs, Minister of Antiquities, Civil Forfeiture, Ancient Egypt
The Court of Appeals for the 8th Circuit has affirmed the dismissal of the U.S. government’s attempt to seize the Mask of Ka-Nefer-Nefer from the St. Louis Art Museum. Despite the government’s persistent characterization the mask as stolen before it entered the country, the civil forfeiture case has been rebuffed. The narrow issue was whether the trial court had properly denied the government’s request to amend its complaint after an initial challenge, but as the 8th Circuit put it, “Underlying that issue is an attempt to expand the government’s forfeiture powers at the likely expense of museums and other good faith purchasers in the international marketplace for ancient artifacts.” That latter question will have to wait another day, because the case was resolved on the government’s missed deadlines and nothing more.
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Topics: Mask of Ka-Nefer-Nefer, St. Louis Art Museum, Department of Justice, Fed. R. Civ. P. 59(e), the Art Law Report, Restitution, 19 U.S.C. § 1595a, United States, Antiquities, Federal Rules of Civil Procedure, Customs, Civil Forfeiture, Ancient Egypt
The Court of Appeals for the 8th Circuit has set oral argument for January 13, 2014 on the appeal from the dismissal of the government's civil forteiture case against the Mask of Ka Nefer-Nefer in the St. Louis Art Museum.
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Topics: Mask of Ka-Nefer-Nefer, United States v. Mask of Ka-Nefer-Nefer, St. Louis A, Civil Forfeiture
The 1879 Pierre-Auguste Renoir painting entitled “Paysage Bords de Seine” that was discovered at a Virgina flea market, but which may also have been stolen from the Baltimore Museum of Art more than sixty years ago, is now the subject of a federal court case in Alexandria, Virginia. The United States has seized the painting and filed an action, known as "interpleader," to sort out the proper ownership of the work.
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Topics: Sadie A. May, Fireman’s Fund Insurance, Pierre-Auguste Renoir, interpleader, Seine, Amalie Adler Ascher, Rule 22 of the Federal Rules of Civil Procedure, Virginia, Herbert L. May, Manassas, Baltimore Museum of Art, 28 U.S.C. § 1335, Doreen Bulger, Adams Davidson Galle, The Potomack Company, Washington Post, Museums, Marcia “Martha” Fuqua, Paysage Bords de Seine, Civil Forfeiture, Ted Cooper
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Topics: Mask of Ka-Nefer-Nefer, St. Louis Art Museum, Collections, Customs, Civil Forfeiture
After the U.S. District Court denied the government’s Motion to Reconsider its earlier dismissal of the claim to the Mask of Ka-Nefer-Nefer in the St. Louis Museum of Art, the government has tried another procedure to revive the case, one that is normally unremarkable. A review of the filings in the case raises the question, however, of whether that attempt is too late and the government’s only hopes now rest on an appeal. That is, the government may have promised the Court that it would file any request to file a new complaint of the sort it just did by no later than two weeks ago and missed its own self-imposed deadline.
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Topics: Mask of Ka-Nefer-Nefer, St. Louis Art Museum, Collections, Restitution, 19 U.S.C. § 1595a, United States v. Mask of Ka-Nefer-Nefer, Customs, Civil Forfeiture
The St. Louis Art Museum has defeated the federal goverment's efforts to seize the Egyptian Mask of Ka-Nefer-Nefer under U.S. customs laws.
The Mask of Ka-Nefer-Nefer is a funerary mask of an ancient Egyptian noblewoman. The St. Louis Art Museum purchased it from a dealer in 1998. Sometime later, the United States began to seek its seizure, arguing that it was stolen property. The museum sued the government in the first instance to seek a declaration that the attempts to seize the Mask should cease. The United States then brought a civil forfeiture action under U.S. customs laws (proceedings in which the object is the defendant, making the case United States v. The Mask of Ka-Nefer-Nefer; it is left to the person claiming ownership to file a claim in which she bears the burden of proof). In its papers, the government essentially argued that the fact that the Mask had gone missing in Egypt by 1973 and then surfaced in a sale in the United States decades later, meant that it could not have been imported legally.
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Topics: Mask of Ka-Nefer-Nefer, St. Louis Art Museum, the Art Law Report, United States, Customs, Civil Forfeiture, Ancient Egypt
