As potential regulation of the art market gathers in the United States, the increasing relevance of the Responsible Art Market Initiative is ever clearer. And while we will miss gathering in Geneva for the first time in several years, RAM is undeterred. Join us on Friday January 29, 2021 for a virtual edition of the annual RAM event, this year entitled “Innovation and change in a Responsible Art Market.” The program follows below (including a virtual networking opportunity), and registration by 27 January 2021 can be accomplished using the following link: www.responsibleartmarket.org/event-registration.
See you then. Until next year, this will have to suffice for ein Stückchen der Schweiz from last February:
Read More
Topics:
Anne Laure Bandle,
Reibpartie,
Pierre-Auguste Renoir,
Art Law Foundation,
New York University,
TEFAF,
Geneva,
Sandrine Giroud,
Lalive,
Albert Martin Wolffson,
Eugene Driker,
Sullivan & Worcester LLP,
Henry Zacharias,
Copyright,
EPA Victory,
Sullivan and Worcester LLP,
Bonhams,
Nicholas M. O'Donnell,
Elmyr de Hory,
Mathilde Heaton,
RAM,
Responsible Art Market initiative,
Phillips,
Stephenson Harwood,
Jonathan Petropoulos,
Nanne Dekking,
Artory,
National Defense Authorization Act,
Nicolas Galley,
Borel & Barbey,
Valentina Volshkova,
Masterworks,
Tom Christopherson,
Melanie Damani,
Pace Gallery,
University of Zurich,
Masha Golovina,
Hottinger Group,
Freya Simms,
LAPADA,
The Association of Art and Antiques Dealers,
Audry Li,
Zhong Lun Law Firm,
Shanghai
The Appellate Division First Department in New York has affirmed the trial court’s ruling in Reif v. Nagy that the heirs of Viennese actor and Holocaust victim Franz Friedrich (Fritz) Grünbaum are entitled to the return of two Egon Schiele drawings, Woman Hiding her Face (1912) and Woman in a Black Pinafore (1911). The ruling is a momentous victory for the Grünbaum heirs, and features several recurring characters in many Nazi-looted restitution disputes. We were doubly gratified to see the First Department’s citation to our own case, Philipp v. F.R.G., 894 F.3d 406 (D.C. Cir. 2018) for the proposition that sales under duress are void and violate international law consistent with the policies of the Holocaust Expropriated Art Recovery (HEAR) Act of 2016. It is a landmark ruling and a testament to the perseverance of the Grünbaum heirs and their legal team.
Read More
Topics:
Cornelius Gurlitt,
Galerie St. Etienne,
Nazi-looted art,
Foreign Sovereign Immunities Act,
Galerie Gutekunst,
Holocaust,
Fritz Grünbaum,
NS Raubkunst,
Egon Schiele,
Mathilde Lukacs,
Franz Kieslinger,
Anschluss,
Welfenschatz,
HEAR Act,
Ankerwycke,
A Tragic Fate,
Law and Ethics in the Battle Over Nazi-Looted Art,
Holocaust Expropriated Art Recovery Act of 2016,
Woman in a Black Pinafore,
Woman Hiding her Face,
Seated Woman With Bent Left Leg (Torso),
Reif v. Nagy,
D.C. Circuit Court of Appeals,
Eberhard Kornfeld,
Philipp v. F.R.G.,
New York Law Journal,
Gutekunst & Klipstein,
Jonathan Petropoulos
