On the heels of the most recent restitution recommendation, there is more Gurlitt news. In October we discussed news that a Munich court had requested an expert opinion from a psychologist about whether Cornelius Gurlitt was competent to make the 2014 will that named the Kunstmuseum Bern as his sole heir—in particular to the roughly 1,400 works of art in his possession in Munich and Salzburg under suspicion of Nazi looting connections—to the exclusion of his relatives. Procedurally, the court is considering the appeal by Gurlitt's relatives of the denial by a lower court of their will contest.
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Topics:
Gurlitt case,
Gurlitt,
Nazi art
As if the Cornelius/Hildebrand Gurlitt saga needed any more complications as the world awaits the official decision by the Kunstmuseum Bern about whether to accept the appointment as Cornelius Gurlitt’s heir, even more artwork has apparently turned up. Der Spiegel, the Frankfurter Allgemeine Zeitung, and the Wall Street Journal have reported that one picture and several sculptures in the very apartment from which the original trove was seized more than two years ago. Among the sculptures are apparently a Degas and a Rodin. Nothing else seems known about the works or their ownership history, or whether they might be among works that Hildebrand Gurlitt sold or acquired as "degenerate" (side note: the Victoria and Albert Museum's copy of the Degenerate Art Action register is currently on display in New York at the Neue Galerie's exhibition of that title. While it is available online, it is most certainly worth a visit before the show ends).
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Topics:
Frankfurter Allgemeine Zeitung,
Victoria and Albert Museum,
Rodin,
Cornelius Gurlitt,
Schwabinger Kunstfund. Kunstfund München,
Gurlitt Task Force,
Fall Gurlitt,
Gurlitt Collection,
Degas,
Hildebrand Gurlit,
Entartete Kunst,
Gurlitt,
Restitution,
Bavaria,
Neue Galerie,
Der Spiegel,
Wall Street Journal,
World War II,
Degenerate Art Action,
degenerate art,
Kunstmuseum Bern,
www.lostart.de,
Nazi art,
Raubkunst
Just days after attorneys for Cornelius Gurlitt floated the idea of discussions with survivors and heirs for a possible resolution to the questions about the artworks found in his apartment two years ago that are suspected of having been stolen or sold under duress during the Nazi era (and after the prosecutor was ordered to make a full list available to journalists), the prosecutor in charge of the investigation categorically rejected the possibility of any deal with Gurlitt.
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Topics:
Erhard Göpel,
Frankfurter Allgemeine Zeitung,
Stuttgart,
Wiesbaden,
FAZ,
Focus,
Hildebrand Gurlitt,
Cornelius Gurlitt,
Augsburg,
Amsterdam,
Willi Korte,
Schwabinger Kunstfund. Kunstfund München,
Marvin Fishman,
Reinhard Nemetz,
Gurlitt Task Force,
Germany,
Fall Gurlitt,
The Art Newspaper,
Gurlitt Collection,
Max Beckmann,
Karl Buchholz,
Robert Looker,
Entartete Kunst,
Bar Braun,
Beutekunst,
Schwabing,
Magdeburg,
LACMA,
Ersessene Kunst,
Harvard,
Gurlitt,
Bavaria,
Busch-Reisinger,
Los Angeles County Museum of Art,
degenerate art,
the Central Collecting Point,
Augsburger Staatsanwalt,
www.lostart.de,
Nazi art,
Sotheby's,
Roman Norbert Ketterer,
Raubkunst,
Verjährung,
Mayen Beckmann,
National Gallery Berlin,
verschollene Kunst,
De-Nazification,
Selbstbildnis,
Self Portrait
In one of the first affirmative steps taken by Cornelius Gurlitt since the revelation of the seizure of a large number of artworks with possible Nazi-seizure connections, Gurlitt has filed a criminal complaint concerning his allegations of violations of his privacy rights. According to Gurlitt’s attorney, “The surrender of investigative information to the press, and with it the severe damage to his personal rights is not tolerable in any way for Mr. Gurlitt. . . . This is a blatant violation of official secrecy.” Another of his lawyers went on to express concern for trust in the process in which details were being given to the media. In particular, Gurlitt’s team were most upset about photographs in the Focus piece that broke the story of Gurlitt’s apartment.
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Topics:
Stuttgart,
Das Alte Schauspielhaus,
Cologne,
Irina Alter,
veschollene Kunst,
Schwabinger Kunstfund,
Wiedergutmachung,
Annette Weber,
Hildebrand Gurlitt,
Cornelius Gurlitt,
Corinna Budras,
S. Lane Faison,
Universität Heidelberg,
Augsburg,
Institute for Jewish Studies Heidelberg,
Aryanization,
Anat Feinberg,
Willi Korte,
Schwabinger Kunstfund. Kunstfund München,
Monuments Man,
Gurlitt Task Force,
Germany,
Fall Gurlitt,
Köln,
Nazi-looted art,
Henry Keazor,
Gurlitt Collection,
Appropriated Art the Gurlitt Case,
Kurpfälzisches Museum Heidelberg,
Hochschule für Judische Studien Heidelberg,
Eberhard Karls-Universität Tübingen,
Emily Löffler,
CSU,
Williams College,
Judische Allgemeine,
Hildebrand Gurlit,
Entartete Kunst,
Universität Zürich,
Arisierung,
Lehrstuhl für Römisches Recht und Privatrecht,
Nürnberger Institut,
Rückgabe,
Rhein-Neckar Morgenweb,
Beutekunst,
'Stürmer-Bibliothek',
Magdeburg,
Daniel Krochmalnik,
Ersessene Kunst,
Katja Terlau,
Art Loss Recovery Unit,
Jim Tobias,
Rhein-Neckar Zeitung,
Fritz Backhaus,
Gurlitt,
Bavaria,
Johannes Heil,
Wien,
Sullivan & Worcester LLP,
Lucas Elmenhorst,
Kunsthistorisches Institut,
Nürnberg,
Jüdisches Museum Frankfurt,
Looted Art,
„Sturmer-Library“,
degenerate art,
Boston,
Seminar für Neuere Geschichte,
Wolfgang Ernst,
www.lostart.de,
Nazi art,
Raubkunst,
Nicholas M. O'Donnell,
Frieder Hepp,
Verjährung,
Vienna,
Münchner Kunstfund,
New York,
FAZ Frankfurt,
Felicitas Heiman-Jellinek
I’ve just returned from my presentation in Heidelberg at the Hochschule für Jüdische Studien in Heidelberg at the conference Ersessene Kunst—Der Fall Gurlitt; Appropriated Art—The Gurlitt Case. The presentations were, without exception, outstanding. They ranged from rarely-told case stories, to sharp insights of some of the overarching principles that guide the the Gurlitt case and similar events. As the discussions made clear, this case will not be easily resolved. That in turn makes recent reports that Cornelius Gurlitt has indicated a willingess to discuss the art's return all the more significant.
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Topics:
Maria Altmann,
Leopold Reidemester,
Ministerin für Justiz und Kultur,
Stuttgart,
Das Alte Schauspielhaus,
Cologne,
Irina Alter,
Portrait of Adele Bloch-Bauer,
veschollene Kunst,
Focus,
Schwabinger Kunstfund,
Aschbach Castle,
Mussolini,
Wiedergutmachung,
Annette Weber,
Monte Cassino,
Cornelius Gurlitt,
Corinna Budras,
S. Lane Faison,
Breslau,
Universität Heidelberg,
Augsburg,
Aryanization,
Anat Feinberg,
Willi Korte,
Schwabinger Kunstfund. Kunstfund München,
Monuments Man,
Jud Süss,
Wrocław,
Dresden,
Gurlitt Task Force,
Germany,
Silesia,
Fall Gurlitt,
Wallraf-Richartz Museum,
Köln,
Nazi-looted art,
Henry Keazor,
Gurlitt Collection,
Appropriated Art the Gurlitt Case,
Schloss Aschbach,
Die Welt,
Kurpfälzische Museum Heidelberg,
Hochschule für Judische Studien Heidelberg,
Karl Haberstock,
Eberhard Karls-Universität Tübingen,
Emily Löffler,
CSU,
Williams College,
Hildebrand Gurlit,
Entartete Kunst,
Universität Zürich,
Arisierung,
Lehrstuhl für Römisches Recht und Privatrecht,
Württemberg,
Schlesien,
Nürnberger Institut,
Hamburg,
Otto Förster,
Rückgabe,
Beutekunst,
'Stürmer-Bibliothek',
Magdeburg,
Portrait of Amalie Zuckerkandl,
Ersessene Kunst,
Katja Terlau,
Art Loss Recovery Unit,
Jim Tobias,
Hermitage,
Gurlitt,
Bavaria,
Johannes Heil,
Wien,
Sullivan & Worcester LLP,
Lucas Elmenhorst,
Events,
Kunsthistorisches Institut,
Nürnberg,
Jüdisches Museum Frankfurt,
Looted Art,
„Sturmer-Library“,
degenerate art,
Seminar für Neuere Geschichte,
Wolfgang Ernst,
Justizminister,
Göring,
www.lostart.de,
Nazi art,
Raubkunst,
Nicholas M. O'Donnell,
Frieder Hepp,
Verjährung,
Vienna,
Claudius Krausharr,
Münchner Kunstfund,
Zwickau,
Kajetan Mühlmann,
New York,
Werner Haftmann,
FAZ Frankfurt,
Felicitas Heiman-Jellinek
Die Welt reports today that a scheduled cabinet meeting of the government of Bavaria includes discussion of a draft revision to the state’s statute of limitations. Justice Minister Winfried Bausback (CSU) has apparently stated his desire to ensure that claimants like those heirs to owners of works found in Cornelius Gurlitt’s apartment will not be barred by the statute of limitations, following through on statements he made last year after being selected. There has been lively discussion of whether such claims would be time barred, but this revision would presumably be intended to answer the question broadly. It could signal the beginning of legislative steps to address the situation. The previous Justice and Culture Minister Beate Merk had come under heavy criticism, but a new minister may have room to make some changes. And, in a parliamentary system, the consensus of the ruling government is more significant in anticipating the passage of legislation.
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Topics:
Ministerin für Justiz und Kultur,
Legal Tribune,
veschollene Kunst,
Beate Merk,
Cornelius Gurlitt,
Augsburg,
Schwabinger Kunstfund. Kunstfund München,
Gurlitt Task Force,
Germany,
Fall Gurlitt,
Gurlitt Collection,
Die Welt,
Lorenz Kähler,
CSU,
Hildebrand Gurlit,
Entartete Kunst,
Ingeborg Berggreen-Merkel,
Beutekunst,
Magdeburg,
Gurlitt,
Bavaria,
degenerate art,
Freistaat Bayern,
Justizminister,
www.lostart.de,
Nazi art,
Raubkunst,
Verjährung,
Winfried Bausback
