I am pleased to announce that I will be among the speakers in Milan on September 30, 2024 at a conference organized by the Universitá degli Studi della Campania Luigi Vantivelli and the UNESCO Chair on Business Integrity and Crime Prevention in Art and Antiquities Market: “Preventing Art Crimes Through Regulation and Self-Regulation.” To be held at the Palazzo Visconti, the conference will offer a full day of expert speakers on the topics of Updating the UNESCO International Code of Ethics for Dealers in Cultural Property; Codes of Conduct, Codes of Ethics and Other Soft Law Tools in Cultural Heritage (in which I will be a discussant); the Legal Impact of Due Diligence Procedures and Acquisition, Anti-Money Laundering in the Art Market; and Industry Practices and Judicial Applications: Lessons to be Learned. The program is below, and registration may be found here.
As the title and expertise of the participants suggest, this will be an excellent broad view of the question of regulation in cultural property, and the extent to which market participants can guide the outcome. It will focus on public-private partnerships for the prevention of wrongdoings against cultural property, and specific attention will be devoted to the role that codes of conduct, due diligence, and KYC procedures play in this area. I am excited to be a part of the event and see many old friends. I hope that if you are nearby you will join us, or attend remotely if you are not.
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Topics:
Anne Laure Bandle,
Irina Tarsis,
Saskia Hufnagel,
Events,
UNESCO,
ARCA,
Center for Art Law,
Leiden University,
Borel & Barbey,
Giuseppe Calabi,
Sunna Altnoder,
Louise Malécot,
Stefano Manacorda,
Universitá Luigi Vantivelli,
Tess Davis,
Antiquities Coalition,
Alessandra Donati,
University of Milan Bicocca,
Toshiyuki Kono,
Kyushu University,
Marc Balcells,
Marco Colacurci,
Lynda Albertson,
Association for Research on Crimes Against Art,
Rena Neville,
Corinth Consulting Ltd.,
Arianna Visconti,
Universitá Cattolica del Sacro Cuore,
Umit Turksen,
Coventry University,
Anna Mosna,
Erika Bochereau,
CINOA,
Riccardo Ercole Omodel,
University of Palermo,
Eugenio Fusco,
Milan Public Prosecutor,
Guido Carlo Alleva,
Giuseppe Catalano,
Assicurazioni Generali S.p.A.,
Antonella Crippa,
Intesa Sanpaolo,
Palazzo Visconti,
University Oberta de Catalunya,
University of Sydney
It has been a great source of pride that in the last year, the Art, Cultural Institutions and Heritage Law Committee of the International Bar Association has remained active and engaged with issues of art and cultural property law despite the pandemic. We had a very exciting in-person program organized and ready to go for June, 2020 at the Ecole du Louvre, where I snapped this picture in February 2020 expecting to be back just four months later. Fate intervened, of course, but with thanks to my co-chair last year Giuseppe Calabi, and my co-chair starting January 1 of this year Anne-Sophie Nardon, we have held a webinar in June, a panel at the IBA’s Virtually Together conference, and stayed active in our publications and newsletter. Cultural property and commercial art law certainly hasn’t taken a break for the pandemic, and while I very much miss our in-person gatherings, it has allowed us to reach new members and grow the ranks of our officer team. We are ever larger and more diverse, with officer representation from every continent except Australia (and Antarctica--so far!).
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Topics:
Karen Sanig,
Anne Laure Bandle,
Sullivan & Worcester LLP,
Nicholas M. O'Donnell,
Mishcon de Reya,
Art Loss Register,
Court of Arbitration for Art,
Sharon Hecker,
Anne-Sophie Nardon,
Borel & Barbey,
Olivier de Baecque,
Giuseppe Calabi,
Davina Given,
Armstrong Teasdale LLP,
Stan Putter,
Angell Xi,
Jingtian & Gongcheng,
Reynolds Porter Chamberlain,
James Ratcliffe,
CBM & Partners Studio,
Klaus-Jürgen Kraatz,
Kraatz & Kraatz,
Noor Kadhim,
Smallegange,
Steve Schindler,
Schindler Cohen & Hochman
