We reported recently on a new lawsuit in California invoking the Visual Artists Rights Act (VARA) in the context of a mural by Victor Henderson, of the Los Angeles Fine Arts Squad. Henderson alleges that property owner Ralph Ziman had his “Brooks Avenue Painting” water blasted in 2013, thus destroying the integrity of his work and infringing on Henderson’s rights under VARA.
Topics: Brooks Avenue Painting, Anschlus, Foreign Sovereign Immunities Act, Victor Henderson, Copyright Act § 113(d), Los Angeles Fine Arts Squad, Visual Artists Rights Act, VARA, World War II, Copyright, Austria, Ralph Ziman, ex post facto
Discussion continues to swirl about how the passing of Cornelius Gurlitt this week will affect the review and possible return of the paintings found in his Munich apartment, and those in Austria. Not surprisingly, the majority of reflections on the news that Gurlitt appointed the Kunstmuseum in Bern, Swizterland as his sole heir are in German, Austrian, and Swiss publications. Here are is my roundup of the latest reports:
Topics: Neue Zürchner Zeitung, Schwabinger Kunstfund, Ingeborg Bergreen-Merkel, Stephan Holzinger, Bad Aussee, Cornelius Gurlitt, Monopol, Gurlitt Task Force, Germany, will, Nazi-looted art, Gurlitt Collection, Matthias Frehner, Entartete Kunst, Salzburg, Restitution, ORF, World War II, Switzerland, Süddeutsche Zeitung, heir, Austria, Kunstmuseum Bern, Washington Principles, Nazi Raubkunst, validity
Following confirmation by his attorney that Cornelius Gurlitt had left a will, it was further revealed yesterday that Gurlitt had not merely left his collection of paintings with substantial Nazi-looting questions to a museum outside Germany, but that he had named the Kunstmuseum Bern itself as his sole heir. The Kunstmuseum is the oldest museum in Switzerland, with more than 50,000 objects that include works by Vincent van Gogh, Franz Marc and Henri Matisse. The museum responded by releasing a statement that:
Topics: Schwabinger Kunstfund, Bad Aussee, Cornelius Gurlitt, Gurlitt Task Force, Germany, Nazi-looted art, Gurlitt Collection, Vincent Van Gogh, Entartete Kunst, Salzburg, Restitution, World War II, Switzerland, Austria, Franz Marc, Kunstmuseum Bern, Museums, Nazi Raubkunst, Henri Matisse
The Foreign Cultural Exchange Jurisdictional Immunity Clarification Act (HR 4292) passed the House of Representatives yesterday, 388 to 4. Voting against were Reid Ribble (R, WI), Mark Sanford (R, SC), Marlin Stuzman (R, IN), and Justin Amash (R, MI). As discussed here previously, the bill would amend the Foreign Sovereign Immunities Act, 28 U.S.C. § 1605 (FSIA) to clarify when a cultural object loaned with immunity from seizure pursuant to the Immunity from Seizure Act (IFSA) can also constitute the “commercial activity” element necessary to overcome sovereign immunity and bring a suit in U.S. federal court. Invocation of the FSIA has, since Altmann v. Republic of Austria up through the cases pending against Hungary and the Thyssen-Bornemisza Collection pending today, become the go-to strategy to seek federal jurisdiction over World War II/Nazi-looted art restitution cases in particular. 
Topics: Reid Ribble, Mark Sanford, Thyssen-Bornemisza Collection, Art & Cultural Heritage Law Committee of the A, Marlin Stuzman, Nazi-looted art, Foreign Sovereign Immunities Act, Malevicz v. City of Amsterdam, 22 U.S.C. § 2459, Justin Amash, FSIA, Restitution, HR 4292, World War II, IFSA, Foreign Sovereign Immunities, Altmann v. Republic of Austria, Immunity from Seizure Act, 28 U.S.C. § 1605, Foreign Cultural Exchange Jurisdictional Immunity
Cornelius Gurlitt died yesterday, six months after his art collection was revealed to the world in a Focus article, and less than a month after striking a deal with Bavarian prosecutors over the 1,280 paintings and works of art seized from his apartment as part of a tax investigation. Although that brings the investigation that initially led to the seizure to an end, many questions remain about what will happen to the deal that he made, and to the works of art in Austria not covered by that deal
Topics: Focus, Bayern, Hildebrand Gurlitt, Cornelius Gurlitt, Germany, Nazi-looted art, Gurlitt Collection, Seated Woman, heirs, Entartete Kunst, stolen art, Anne Sinclair, Ersessene Kunst, Restitution, Bavaria, World War II, Süddeutsche Zeitung, degenerate art, Erben, Austria, NS-beschlagnahmte Kunst, Raubkunst, Henri Matisse, Paul Rosenberg
Victor Henderson, creator of the Los Angeles mural “Brooks Avenue Painting,” has filed a lawsuit alleging a violation of his right of integrity under the Visual Artists Rights Act (“VARA”).
Topics: Brooks Avenue Painting, Section 106A(a)(3), Moral Rights, The Doors, negligence, Victor Henderson, Graffiti Art, Visual Artists Rights Act, California Art Preservation Act, recognized stature, VARA, conversion, Copyright, 5Pointz, Terry Schoonhoven, LA Fine Arts Squad, Ralph Ziman
The New York Senate Standing Committee on Cultural Affairs, Tourism, Parks and Recreation has unanimously endorsed Senate Bill No. S06794. The Committee was no doubt moved by yesterday’s sought-after Art Law Report endorsement. . . .
Topics: Andy Warhol Foundation, New York State Assembly, authentication, Bill No. A09016, clear and convincing evidence, Appraisal, Wolfgang Beltracchi, Art Law Committee, Keith Haring Foundation, New York Arts and Cultural Affairs Law, New York City Bar Association, authenticator, M. Knoedler & Co., Senate Bill No. S06794
It was first reported at the Appraisers Association of America’s Art Law Day in November, 2013 that the New York City Bar Association’s Art Law Committee had drafted a proposed revision to New York’s Art and Cultural Affairs Law to address the rights of authenticators. That proposal, publicized a month later, has now become an actual bill introduced in the New York State Assembly, as Senate Bill No. S06794 and Assembly Bill No. A09016. The bills were then referred to their respective committees for further deliberation.
Topics: Andy Warhol Foundation, New York State Assembly, authentication, American Rule, Bill No. A09016, Art Law Day, clear and convincing evidence, Appraisal, Wolfgang Beltracchi, Art Law Committee, Chagall Committee, Appraisers Association of America, Keith Haring Foundation, New York Arts and Cultural Affairs Law, New York City Bar Association, authenticator, M. Knoedler & Co., Chagall, Senate Bill No. S06794
Since reports last month that a grand bargain had been struck to provide an infusion of cash to the Detroit bankruptcy in exchange for conveying the artwork at the Detroit Institute of Arts back to the museum itself, it has been largely accepted that the deal would succeed. The deal would contribute $366 million from several foundations, $100 million from the DIA foundation, and $350 million from the State of Michigan. This air of inevitability is due in large part to the cards that Emergency Manager Kevyn Orr holds: unless Detroit wants to monetize or sell the DIA collection that the city owns, creditors cannot compel the city to do so. This in turn is for factors unique to Chapter 9 bankruptcy, as discussed here previously.
Topics: Poly International Auction Co. Ltd, Deaccession, Chapter 9, Emergency Manager, Art Capital Group LLC, Judge Rhodes, Christie's, Detroit Institute of Arts, Yuan Management Hong Kong Limited, Catalyst Acquisitions LLC, DIA, Marc Bell Partners, Kevyn Orr, DIA collection, Detroit Bankruptcy
The Augsburg prosecutor for the State of Bavaria announced today that in connection with Monday’s agreement with Cornelius Gurlitt, the 1,280 works of art seized from Gurlitt’s apartment in 2012 have been “returned” to Gurlitt. Though it does not appear that the objects have physically changed locations, the state officially lifted the seizure, and now has access to the collection for further provenance research pursuant to the agreement, rather than the compulsory process by which it retrieved them.
Topics: German Ministry of Culture, Schwabinger Kunstfund, Cornelius Gurlitt, Bundesministerium für Kultur und Medien, Breslau, Augsburg, Willi Korte, London, Max Liebermann, Claude Monet, Christoph Edel, Gurlitt Collection, Ingrid Begreen-Merkel, Alt Ausee, Hildebrandt Gurlitt, stolen art, State of Bavaria, Reiter am Strand, Salzburg, Restitution, David Toren, Müncher Kunstfund, World War II, Task Force, Süddeutsche Zeitung, Freistaat Bayern, NS-beschlagnahmte Kunst, www.lostart.de, Monika Grütters, Riders on the Beach, Raubkunst, Bayerisches Staatsministerium der Justiz, Bavarian Ministry of Justice, Henri Matisse, Paul Rosenberg
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