The U.S. District Court in Manhattan has dismissed the copyright claim filed by the Velvet Underground against the Warhol Foundation for the Visual Arts over the iconic “banana” image from the cover of the legendary The Velvet Underground and Nico album. Without reaching the merits of the claim, the court ruled that the Velvet Underground had agreed previously not to sue on any copyright theories. Reporting of the decision has been spotty at best, however, ranging from declaring a “win” for the Foundation, to suggestions that the copyright question was decided. In fact, the Court did not reach the copyright issue, and the Velvet Underground still has other trademark-based claims that remain very much alive and unaffected by the decision.
Nicholas O'Donnell
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Topics: Copyright, The Velvet Underground and Nico, the Velvet Underground, Andy Warhol
Casting further doubt on the practical possibility of using the Foreign Sovereign Immunities Act (FSIA) to recover cultural artifacts, the U.S. Government has at long last weighed in on the Chabad plaintiffs’ request for contempt sanctions against the Russian defendants, defendants who have defied for more than two years a judgment to return the library of the late Menachem Schneerson. Rightly or wrongly, this is another example of the waning utility of the FSIA to seek restitution of works held abroad, and does not bode well for the ongoing embargo by Russian museums against cultural artifact loans to the United States.
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Topics: Russian art embargo, Foreign Sovereign Immunities Act, FSIA, Restitution, World War II, Foreign Sovereign Immunities, Chabad, Art Law Report
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Topics: Mask of Ka-Nefer-Nefer, St. Louis Art Museum, Collections, Customs, Civil Forfeiture
The Barnes relocation, and challenges to it, are both in the news again. Apparently former Barnes CEO Kimberly Camp—who held that office when much of the push was made to justify the need to relocate to Center City in Philadelphia—posted a blog entry about the financial condition of the Foundation at the time. She writes:
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Topics: Donn Zaretsky, Lee Rosenbaum, Cy Pres, Collections, Friends of the Barnes, Barnes Foundation
After the U.S. District Court denied the government’s Motion to Reconsider its earlier dismissal of the claim to the Mask of Ka-Nefer-Nefer in the St. Louis Museum of Art, the government has tried another procedure to revive the case, one that is normally unremarkable. A review of the filings in the case raises the question, however, of whether that attempt is too late and the government’s only hopes now rest on an appeal. That is, the government may have promised the Court that it would file any request to file a new complaint of the sort it just did by no later than two weeks ago and missed its own self-imposed deadline.
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Topics: Mask of Ka-Nefer-Nefer, St. Louis Art Museum, Collections, Restitution, 19 U.S.C. § 1595a, United States v. Mask of Ka-Nefer-Nefer, Customs, Civil Forfeiture
Perhaps lost in the coverage about Senate Bill 2212 (the Art Law Report no less than anyone else) to amend the Foreign Sovereign Immunities Act to preclude claims against defendants whose “commercial activity” is limited to the loan of artwork whose ownership is in dispute, is the case made by the sponsors of the bill themselves, Senators Dianne Feinstein (D, CA) and Orrin Hatch (R, UT).
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Topics: Nazi stolen art, Malewicz v. City of Amsterdam, Dianne Feinstein, Immunity from Seizure, 28 U.S.C. 1605(a)(3), FSIA, Restitution, Orrin Hatch, Senate Bill 2212, World War II, IFSA, Foreign Sovereign Immunities, Immunity from Seizure Act, Foreign Cultural Exchange Jurisdictional Immunity
An emerging new defense to wartime art restitution claims has claimed another case. Although still confined to one district in California, the trend of dismissing such claims as better suited to resolution through the foreign affairs operations of the federal government simply cannot be ignored; wartime claims already struggling to overcome statutes of limitations could be in real trouble. The procedural history is complex, but the effect could be sweeping.
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Topics: Legislation, Nazi Germany, Lilly Cassirer, Rue Saint-Honoré après-midi effet de pluie, California Code of Civil Procedure Section 338, conflict preemption, FSIA, Preemption, Restitution, field preemption, Goudstikker, World War II, Foreign Sovereign Immunities, Von Saher v. Norton Simon Museum, Cassirer v. Kingdom of Spain, California Code of Civil Procedure 354.3
Fresh on the heels of our coverage here and here and in the Atlantic, the U.S. District Court in St. Louis has rejected the U.S. government's efforts to save its case to reclaim the Mask of Ka-Nefer-Nefer.
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Topics: Mask of Ka-Nefer-Nefer, St. Louis Art Museum, Collections, Customs, The Atlantic
Malcom Gay in the Atlantic reports on the dismissal of the federal government’s civil forfeiture action under U.S. customs laws United States v. The Mask of Ka-Nefer-Nefer, and the broader quesions about what a museum should do when faced with such claims. In April, the U.S. District Court allowed the St. Louis Museum of Art's Motion to Dismiss and issued a stinging rebuke of the case for seizure of the Mask under customs laws.
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Topics: Mask of Ka-Nefer-Nefer, St. Louis Art Museum, Collections, Customs, The Atlantic
Is it time to invoke the Corollary to Godwin’s Law of Nazi Analogies (i.e., as a discussion grows longer, the probability of a comparison involving Nazis or Hitler increases, and once this occurs, that thread is over, and whoever mentioned the Nazis has automatically the argument ) concerning Senate Bill 2212, the Foreign Cultural Exchange Jurisdictional Immunity Clarification Act?
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Topics: Legislation, Foreign Sovereign Immunities Act, Association of Art Museum Directors, Restitution, Senate Bill 2212, World War II, Foreign Sovereign Immunities, Immunity from Seizure Act, Foreign Cultural Exchange Jurisdictional Immunity, National Public Radio
