Eileen Kinsella at ArtNet news reported today that the Gurlitt Taskforce has recommended the restitution of the Max Liebermann painting Riders on the Beach (Reiter am Strand) to David Toren, a New York man who left Germany at age 14 in 1939. His great uncle David Friedmann lived in Breslau, the capital of Silesia (now part of Poland, known as Wrocław). The Nazis catalogued and seized Friedmann’s art collection in 1939-40, and the Liebermann painting appears on those records. It was later found among those 1,280 objects seized from Gurlitt a little over two years ago when he aroused suspicion returning from Switzerland with a large amount of cash.
Read More
Topics:
Breslau,
Eileen Kinsella,
Wrocław,
Gurlitt Task Force,
Max Liebermann,
Silesia,
Nazi-looted art,
Gurlitt Collection,
Entartete Kunst,
Reiter am Strand,
August Matteis,
Restitution,
David Toren,
28 U.S.C. § 1605(a)(2),
World War II,
Switzerland,
degenerate art,
Poland,
Altmann v. Republic of Austria,
Kunstmuseum Bern,
www.lostart.de,
Berner Zeitung,
Riders on the Beach,
David Friedmann,
ArtNet news
As if the Cornelius/Hildebrand Gurlitt saga needed any more complications as the world awaits the official decision by the Kunstmuseum Bern about whether to accept the appointment as Cornelius Gurlitt’s heir, even more artwork has apparently turned up. Der Spiegel, the Frankfurter Allgemeine Zeitung, and the Wall Street Journal have reported that one picture and several sculptures in the very apartment from which the original trove was seized more than two years ago. Among the sculptures are apparently a Degas and a Rodin. Nothing else seems known about the works or their ownership history, or whether they might be among works that Hildebrand Gurlitt sold or acquired as "degenerate" (side note: the Victoria and Albert Museum's copy of the Degenerate Art Action register is currently on display in New York at the Neue Galerie's exhibition of that title. While it is available online, it is most certainly worth a visit before the show ends).
Read More
Topics:
Frankfurter Allgemeine Zeitung,
Victoria and Albert Museum,
Rodin,
Cornelius Gurlitt,
Schwabinger Kunstfund. Kunstfund München,
Gurlitt Task Force,
Fall Gurlitt,
Gurlitt Collection,
Degas,
Hildebrand Gurlit,
Entartete Kunst,
Gurlitt,
Restitution,
Bavaria,
Neue Galerie,
Der Spiegel,
Wall Street Journal,
World War II,
Degenerate Art Action,
degenerate art,
Kunstmuseum Bern,
www.lostart.de,
Nazi art,
Raubkunst
Among the many legacies of the Gurlitt saga is a renewed focus on the importance of Nazi-approved art dealers like Karl Haberstock to the expropriation, outlawing, and re-sale of art either owned by Jewish collectors or which was thematically disapproved by the Nazi state. Relatedly, it has served as a reminder of the often cursory review that many of these men received after the war, and the acceptance of their proffered explanations, like those of Hildebrand Gurlitt, that “everything was destroyed in a bombing attack.” Now, the German Central Institute for Art history is set to make public the records of Adolf Weinmüller and his eponymous auction house (later renamed Neumeister).
Read More
Topics:
Meike Hopp,
Schwabinger Kunstfund,
Was einmal war,
Hildebrand Gurlitt,
Cornelius Gurlitt,
Zentralinstitut für Kunstgeschichte,
Lost Art Database,
Schwabinger Taskforce,
Gurlitt Task Force,
Nazi-looted art,
Gurlitt Collection,
Karl Haberstock,
Kende,
Entartete Kunst,
Munich,
Restitution,
Wien,
World War II,
degenerate art,
www.lostart.de,
München,
Adolf Weinmüller,
Neumeister Auction House,
Aryanized,
Sophie Lille,
Unser Wien ‘Arisierung’ auf Österreich,
Nazi Raubkunst,
Vienna,
Tina Walzer
The attorney for the recently deceased Cornelius Gurlitt, Stephan Edel, told Der Spiegel today that “At the present time, only eight works must be returned from the collection as a result of Nazi persecution,” (my translation). Edel went on to say “Whether further works will follow, must await the results of the ongoing research.”
Read More
Topics:
Schwabinger Kunstfund,
Hildebrand Gurlitt,
Cornelius Gurlitt,
www.Gurlitt.Info,
Wolfgang Seybold,
German museums,
Nazi-looted art,
Gurlitt Collection,
Entartete Kunst,
will contest,
Curt Valentin,
Restitution,
Der Spiegel,
World War II,
Bunte,
degenerate art,
Kunstmuseum Bern,
Nazi Raubkunst,
Kunstfund München
Cornelius Gurlitt died yesterday, six months after his art collection was revealed to the world in a Focus article, and less than a month after striking a deal with Bavarian prosecutors over the 1,280 paintings and works of art seized from his apartment as part of a tax investigation. Although that brings the investigation that initially led to the seizure to an end, many questions remain about what will happen to the deal that he made, and to the works of art in Austria not covered by that deal
Read More
Topics:
Focus,
Bayern,
Hildebrand Gurlitt,
Cornelius Gurlitt,
Germany,
Nazi-looted art,
Gurlitt Collection,
Seated Woman,
heirs,
Entartete Kunst,
stolen art,
Anne Sinclair,
Ersessene Kunst,
Restitution,
Bavaria,
World War II,
Süddeutsche Zeitung,
degenerate art,
Erben,
Austria,
NS-beschlagnahmte Kunst,
Raubkunst,
Henri Matisse,
Paul Rosenberg
According to multiple news reports and his attorneys, Cornelius Gurlitt has filed a complaint for the return of the paintings seized in 2012 by the Augsburg prosecutor. Copies are not yet available, but the Gurlitt PR website www.Gurlitt.info" has a release that states as follows (thus far only in German). Stay tuned for developments if and when the document becomes available.
Read More
Topics:
Schwabinger Kunstfund,
Complaint,
Nazi stolen art,
Hannes Hartung,
Hildebrand Gurlitt,
Gurlitt Info,
www.Gurlitt.Info,
Augsburg,
Germany,
Tido Park,
Gurlitt Collection,
Beschwerde,
Entartete Kunst,
Gurlitt Facts,
Beutekunst,
Gurlitt,
Restitution,
Statute of Limitations,
World War II,
Derek Setz,
degenerate art,
Staatsanwalt,
Strafprozessordnung (StPO) Paragraph 304,
Soviet Union,
Raubkunst,
Verjährung,
Münchner Kunstfund
Just days after attorneys for Cornelius Gurlitt floated the idea of discussions with survivors and heirs for a possible resolution to the questions about the artworks found in his apartment two years ago that are suspected of having been stolen or sold under duress during the Nazi era (and after the prosecutor was ordered to make a full list available to journalists), the prosecutor in charge of the investigation categorically rejected the possibility of any deal with Gurlitt.
Read More
Topics:
Erhard Göpel,
Frankfurter Allgemeine Zeitung,
Stuttgart,
Wiesbaden,
FAZ,
Focus,
Hildebrand Gurlitt,
Cornelius Gurlitt,
Augsburg,
Amsterdam,
Willi Korte,
Schwabinger Kunstfund. Kunstfund München,
Marvin Fishman,
Reinhard Nemetz,
Gurlitt Task Force,
Germany,
Fall Gurlitt,
The Art Newspaper,
Gurlitt Collection,
Max Beckmann,
Karl Buchholz,
Robert Looker,
Entartete Kunst,
Bar Braun,
Beutekunst,
Schwabing,
Magdeburg,
LACMA,
Ersessene Kunst,
Harvard,
Gurlitt,
Bavaria,
Busch-Reisinger,
Los Angeles County Museum of Art,
degenerate art,
the Central Collecting Point,
Augsburger Staatsanwalt,
www.lostart.de,
Nazi art,
Sotheby's,
Roman Norbert Ketterer,
Raubkunst,
Verjährung,
Mayen Beckmann,
National Gallery Berlin,
verschollene Kunst,
De-Nazification,
Selbstbildnis,
Self Portrait
In one of the first affirmative steps taken by Cornelius Gurlitt since the revelation of the seizure of a large number of artworks with possible Nazi-seizure connections, Gurlitt has filed a criminal complaint concerning his allegations of violations of his privacy rights. According to Gurlitt’s attorney, “The surrender of investigative information to the press, and with it the severe damage to his personal rights is not tolerable in any way for Mr. Gurlitt. . . . This is a blatant violation of official secrecy.” Another of his lawyers went on to express concern for trust in the process in which details were being given to the media. In particular, Gurlitt’s team were most upset about photographs in the Focus piece that broke the story of Gurlitt’s apartment.
Read More
Topics:
Stuttgart,
Das Alte Schauspielhaus,
Cologne,
Irina Alter,
veschollene Kunst,
Schwabinger Kunstfund,
Wiedergutmachung,
Annette Weber,
Hildebrand Gurlitt,
Cornelius Gurlitt,
Corinna Budras,
S. Lane Faison,
Universität Heidelberg,
Augsburg,
Institute for Jewish Studies Heidelberg,
Aryanization,
Anat Feinberg,
Willi Korte,
Schwabinger Kunstfund. Kunstfund München,
Monuments Man,
Gurlitt Task Force,
Germany,
Fall Gurlitt,
Köln,
Nazi-looted art,
Henry Keazor,
Gurlitt Collection,
Appropriated Art the Gurlitt Case,
Kurpfälzisches Museum Heidelberg,
Hochschule für Judische Studien Heidelberg,
Eberhard Karls-Universität Tübingen,
Emily Löffler,
CSU,
Williams College,
Judische Allgemeine,
Hildebrand Gurlit,
Entartete Kunst,
Universität Zürich,
Arisierung,
Lehrstuhl für Römisches Recht und Privatrecht,
Nürnberger Institut,
Rückgabe,
Rhein-Neckar Morgenweb,
Beutekunst,
'Stürmer-Bibliothek',
Magdeburg,
Daniel Krochmalnik,
Ersessene Kunst,
Katja Terlau,
Art Loss Recovery Unit,
Jim Tobias,
Rhein-Neckar Zeitung,
Fritz Backhaus,
Gurlitt,
Bavaria,
Johannes Heil,
Wien,
Sullivan & Worcester LLP,
Lucas Elmenhorst,
Kunsthistorisches Institut,
Nürnberg,
Jüdisches Museum Frankfurt,
Looted Art,
„Sturmer-Library“,
degenerate art,
Boston,
Seminar für Neuere Geschichte,
Wolfgang Ernst,
www.lostart.de,
Nazi art,
Raubkunst,
Nicholas M. O'Donnell,
Frieder Hepp,
Verjährung,
Vienna,
Münchner Kunstfund,
New York,
FAZ Frankfurt,
Felicitas Heiman-Jellinek
One of Cornelius Gurlitt’s attorneys, Hannes Hartung, told the Wall Street Journal last week, and was again quoted in the Frankfurter Allgemeine Zeitung yesterday, that Gurlitt was open to possible resolutions to claims from heirs to the paintings found in his apartment in 2012. According to Hartung, Gurlitt is already in talks with heirs, and wants a “fair and equitable solution.”
Read More
Topics:
Frankfurter Allgemeine Zeitung,
Ich geb' nichts freiwillig zurück,
FAZ,
veschollene Kunst,
Focus,
Hannes Hartung,
Cornelius Gurlitt,
Schwabinger Kunstfund. Kunstfund München,
Fall Gurlitt,
The Art Newspaper,
Gurlitt Collection,
Max Beckmann,
Hildebrand Gurlit,
Entartete Kunst,
Bar Braun,
Özlem Gezer,
Beutekunst,
LACMA,
Gurlitt,
David D’Arcy,
Der Spiegel,
Wall Street Journal,
Los Angeles County Museum of Art,
degenerate art,
Raubkunst
I’ve just returned from my presentation in Heidelberg at the Hochschule für Jüdische Studien in Heidelberg at the conference Ersessene Kunst—Der Fall Gurlitt; Appropriated Art—The Gurlitt Case. The presentations were, without exception, outstanding. They ranged from rarely-told case stories, to sharp insights of some of the overarching principles that guide the the Gurlitt case and similar events. As the discussions made clear, this case will not be easily resolved. That in turn makes recent reports that Cornelius Gurlitt has indicated a willingess to discuss the art's return all the more significant.
Read More
Topics:
Maria Altmann,
Leopold Reidemester,
Ministerin für Justiz und Kultur,
Stuttgart,
Das Alte Schauspielhaus,
Cologne,
Irina Alter,
Portrait of Adele Bloch-Bauer,
veschollene Kunst,
Focus,
Schwabinger Kunstfund,
Aschbach Castle,
Mussolini,
Wiedergutmachung,
Annette Weber,
Monte Cassino,
Cornelius Gurlitt,
Corinna Budras,
S. Lane Faison,
Breslau,
Universität Heidelberg,
Augsburg,
Aryanization,
Anat Feinberg,
Willi Korte,
Schwabinger Kunstfund. Kunstfund München,
Monuments Man,
Jud Süss,
Wrocław,
Dresden,
Gurlitt Task Force,
Germany,
Silesia,
Fall Gurlitt,
Wallraf-Richartz Museum,
Köln,
Nazi-looted art,
Henry Keazor,
Gurlitt Collection,
Appropriated Art the Gurlitt Case,
Schloss Aschbach,
Die Welt,
Kurpfälzische Museum Heidelberg,
Hochschule für Judische Studien Heidelberg,
Karl Haberstock,
Eberhard Karls-Universität Tübingen,
Emily Löffler,
CSU,
Williams College,
Hildebrand Gurlit,
Entartete Kunst,
Universität Zürich,
Arisierung,
Lehrstuhl für Römisches Recht und Privatrecht,
Württemberg,
Schlesien,
Nürnberger Institut,
Hamburg,
Otto Förster,
Rückgabe,
Beutekunst,
'Stürmer-Bibliothek',
Magdeburg,
Portrait of Amalie Zuckerkandl,
Ersessene Kunst,
Katja Terlau,
Art Loss Recovery Unit,
Jim Tobias,
Hermitage,
Gurlitt,
Bavaria,
Johannes Heil,
Wien,
Sullivan & Worcester LLP,
Lucas Elmenhorst,
Events,
Kunsthistorisches Institut,
Nürnberg,
Jüdisches Museum Frankfurt,
Looted Art,
„Sturmer-Library“,
degenerate art,
Seminar für Neuere Geschichte,
Wolfgang Ernst,
Justizminister,
Göring,
www.lostart.de,
Nazi art,
Raubkunst,
Nicholas M. O'Donnell,
Frieder Hepp,
Verjährung,
Vienna,
Claudius Krausharr,
Münchner Kunstfund,
Zwickau,
Kajetan Mühlmann,
New York,
Werner Haftmann,
FAZ Frankfurt,
Felicitas Heiman-Jellinek
