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Foreign Cultural Exchange Jurisdictional Immunity Clarification Act Passes House of Representatives Overwhelmingly

Posted by Nicholas O'Donnell on May 7, 2014 at 2:57 AM

The Foreign Cultural Exchange Jurisdictional Immunity Clarification Act (HR 4292) passed the House of Representatives yesterday, 388 to 4. Voting against were Reid Ribble (R, WI), Mark Sanford (R, SC), Marlin Stuzman (R, IN), and Justin Amash (R, MI). As discussed here previously, the bill would amend the Foreign Sovereign Immunities Act, 28 U.S.C. § 1605 (FSIA) to clarify when a cultural object loaned with immunity from seizure pursuant to the Immunity from Seizure Act (IFSA) can also constitute the “commercial activity” element necessary to overcome sovereign immunity and bring a suit in U.S. federal court. Invocation of the FSIA has, since Altmann v. Republic of Austria up through the cases pending against Hungary and the Thyssen-Bornemisza Collection pending today, become the go-to strategy to seek federal jurisdiction over World War II/Nazi-looted art restitution cases in particular.

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Topics: Reid Ribble, Mark Sanford, Thyssen-Bornemisza Collection, Art & Cultural Heritage Law Committee of the A, Marlin Stuzman, Nazi-looted art, Foreign Sovereign Immunities Act, Malevicz v. City of Amsterdam, 22 U.S.C. § 2459, Justin Amash, FSIA, Restitution, HR 4292, World War II, IFSA, Foreign Sovereign Immunities, Altmann v. Republic of Austria, Immunity from Seizure Act, 28 U.S.C. § 1605, Foreign Cultural Exchange Jurisdictional Immunity

Foreign Cultural Exchange Jurisdictional Immunity Clarification Act Reintroduced in House of Representatives, Would Ban Use of Exhibition Loan as Basis for Federal Court Jurisdiction

Posted by Nicholas O'Donnell on March 31, 2014 at 4:04 AM

Steve Chabot (R-OH) has reintroduced the Foreign Cultural Exchange Jurisdictional Immunity Clarification Act (H.R. 4292), after a previous attempt to amend the Foreign Sovereign Immunities Act with regard to the loan of cultural objects failed to become law in 2012. The text of the March 25, 2014 bill is identical to the version that passed in the House in 2012. Its co-sponsors are John Conyers (D-MI) and Bob Goodlatte (R-VA), and it has been referred to the House Judiciary Committee.

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Topics: Cornelius Gurlitt, Malewicz v. City of Amsterdam, Girolamo Romano, Gurlitt Collection, 22 U.S.C. § 2459, Christ Carrying the Cross Dragged by a Rogue, 517 F.Supp.2d 322, FSIA, Restitution, David Toren, 19 U.S.C. § 1595a, Steve Chabot, Orrin Hatch, House Judiciary Committee, 28 U.S.C. § 1605(a)(2), 28 U.S.C. § 1605(a)(3), Senate Bill 2212, World War II, IFSA, Foreign Sovereign Immunities, Altmann v. Republic of Austria, Portrait of Wally, John Conyers, Immunity from Seizure Act, Dianne Feinstein Foreign Sovereign Immunities Act, Federal Republic of Germany, 28 U.S.C. § 1605, H.R. 4292, Foreign Cultural Exchange Jurisdictional Immunity

U.S. Again Asks Court to Ignore Russian Defiance of Chabad Judgment, and for Advance Notice to Hinder Plaintiffs’ Exercise of their Rights

Posted by Nicholas O'Donnell on February 25, 2014 at 6:30 AM

In response to the recent request by the Agudas Chasidei Chabad plaintiffs for an interim judgment on the compounding sanctions judgment for the Russian Federation’s refusal to comply with a 2010 judgment to return the ancestral library of the movement’s leader (Rebbe), the United States has filed a statement of position and asked the U.S. District Court to ignore Russia’s willful defiance of that judgment. The statement of position cites some credible post-judgment remedy law, but it is mostly a re-hashing of the previously statement filed by the U.S. which the court declined to adopt when it sanctioned the Russian defendants last year. The U.S. position also continues to argue that letting diplomatic avenues run their course is the prudent move, even though there is not the slightest indication that Russia is paying U.S. diplomats any mind whatsoever. More worriedly, the U.S. asks that the plaintiffs be required to advise the government before taking any further action. It is hard to avoid the irony that the United States is asking for an order that its citizens be required to advise the government of their intent to vindicate their rights against Russia.

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Topics: Yossarian, Immanuel Kant, Foreign Sovereign Immunities Act, Rebbe, Agudas Chasidei Chabad, Catch 22, Categorical Imperative, Russian Federation, FSIA, Restitution, IFSA, Foreign Sovereign Immunities, Joseph Heller, Immunity from Seizure Act

Chabad Asks for Interim Judgment of $14.75 Million Against Russia for Defiance of Order to Return Rebbe's Library

Posted by Nicholas O'Donnell on January 29, 2014 at 12:18 PM

It has been a year since the U.S. District Court for the District of Columbia instituted a fine of $50,000 per day against the Russian Federation, the Russian Ministry of Culture and Mass Communications, the Russian State Library, and the Russian State Military Archive until they comply with a 2010 judgment to return the library of Menachem Schneerson, the late charismatic leader of the worldwide Chabad Lubavitch movement, to the movement in Brooklyn, New York. And in that year, the Russian defendants have neither obeyed the original judgment, nor paid the fine. The plaintiffs have now returned to court asking for an interim money judgment for the cumulative amount—$14,750,000—a judgment that could in theory be executed on other assets.

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Topics: Russian art embargo, Russian State Military Archive, Germany, Rebbe, 28 U.S.C. § 1603, 1939, the Russian Ministry of Culture and Mass Communica, Russian Federation, the Russian State Library, FSIA, Agudas Chasei Chabad, Soviet Union, Chabad

Cassirer Heirs' Claims to Pissarro Work Revived by Appeals Court, the Year 2013 Shows that the Tide for Restitution May be Shifting Again

Posted by Nicholas O'Donnell on December 16, 2013 at 12:36 PM

The U.S. Court of Appeals for the 9th Circuit restored last week claims by heirs of Lilly Cassirer against the Thyssen-Bornemisza Collection for the return of the Camille Pissarro painting Rue St. Honoré, après-midi, êffet de pluie.

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Topics: Nuremberg laws, Schwabinger Kunstfund, Cornelius Gurlitt, Lilly Cassirer, California Code of Civil Procedure § 338(c), Dorothy Nelson, Thyssen-Bornemisza Collection, Julius Schoeps, Rue St. Honoré après-midi êffet de pluie, Claude Cassirer, Von Saher v. Norton Simon, de Csepel, Jacques Goudstikker, California Code of Civil Procedure § 354.3, Gurlitt Collection, Foreign Sovereign Immunities Act, Hans Sachs, Von Saher v. Norton Simon Museum of Art at Pasaden, Madame Soler, Bundesgerichtshof, Hildebrand Gurlit, Entartete Kunst, Hans-Heinrich Thyssen-Bornemisza, Hungarian National Gallery, Nazis, Munich, Deutches Historisches Museum, FSIA, Preemption, Gurlitt, Harry Pregerson, Restitution, field preemption, Marei Von Saher, Herzog collection, Bavaria, Claudia Seger-Thomschitz, Looted Art, World War II, Foreign Sovereign Immunities, Pinakothek der Moderne, degenerate art, Altmann v. Republic of Austria, 578 F.3d 1016, Freistaat Bayern, beschlagnahmte Kunst, Camille Pissarro, Kim McLane Wardlaw, Nürnberger Gesetze, Raubkunst, Museum of Fine Arts Boston, Cassirer v. Thyssen-Bornemisza Collection, verschollene Kunst, Kunstfund München

327 Gurlitt Collection Works Now Known; Time for Claims in the United States?

Posted by Nicholas O'Donnell on December 6, 2013 at 4:36 AM

The coordination office in Magdeburg continues to post details about works of art seized from Cornelius Gurlitt in Schwabing, with a total of 327 works now available for viewing. There has been almost no discussion yet, however, of what process the government will employ to allow claimants to make their case. Those in the United States have options discussed further below.

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Topics: veschollene Kunst, Schwabinger Kunstfund Cornelius Gurlitt, Strafprozessordnung, Hildebrand Gurlitt, EBS Dispute Resolution Center, Munich Hoard, IFKUR, Verjährungsfrist, Peter Bert, Germany, Matthias Weller, prescriptive ownership, Nazi-looted art, Gurlitt Collection, Foreign Sovereign Immunities Act, Baden-Württemberg, Entartete Kunst, Nazis, Ingeborg Berggreen-Merkel, Munich, Schwabing, Magdeburg, FSIA, Dispute Resolution in Germany, Bavaria, Looted Art, Foreign Sovereign Immunities, deutches Recht, degenerate art, Altmann v. Republic of Austria, www.lostart.de, stop, Raubkunst, German Civil Code § 221, Sec. 108 German Code of Criminal Procedure, Kunstfund München, Münchner Kunstfund

Gurlitt Taskforce Announces Plan to Post 590 More Works. Choice of Law, Procedure, and Venue for Claims Up in the Air

Posted by Nicholas O'Donnell on November 15, 2013 at 6:17 AM

Ingeborg Berggreen-Merkel, leader of the newly formed federal “Schwabing Art Find” taskforce, announced plans to release information about 590 additional works found in the apartment of Cornelius Gurlitt, after the posting earlier this week of 25 works at www.lostart.de. Meanwhile, the heirs of Max Ernst have publicly disclosed (through their attorney Jürgen Wilhelm in Cologne) their claim to certain of the works in the Gurlitt find. The federal authorities appear to be gaining the upper hand for disclosure against the tax investigators in Bavaria who initially seized the collection, which was not a foregone conclusion.

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Topics: Cologne, veschollene Kunst, the Lion Tamer, Lempertz, Cornelius Gurlitt, Schwabinger Kunstfund. Kunstfund München, Max Liebermann, Köln, Gurlitt Collection, Foreign Sovereign Immunities Act, Hildebrand Gurlit, Entartete Kunst, Nazis, Ingeborg Berggreen-Merkel, Hermann Goring, Michael Hulton, FSIA, Gurlitt, Restitution, conversion, Looted Art, World War II, degenerate art, Altmann v. Republic of Austria, Löwenbändiger, Raubkunst, Alfred Flechteim, Jürgen Wilhelm, Max Ernst

Does The Art World Have a Russia Problem?

Posted by Nicholas O'Donnell on August 7, 2013 at 11:15 AM

Several overlapping issues in recent months have turned what was an awkward elephant in the room into a major issue facing the art world today. Namely: the increasing role that Russia is playing in restitution, loans and exhibition controversies has aggregated to Vladimir Putin an extraordinary amount of influence over these major international legal issues. Combined with the Edward Snowden controversy (and the bizarre story of Putin’s theft of Robert Kraft’s New England Patriots Super Bowl ring), it seems quite clear that Putin enjoys that spotlight. That has not proven to be good news for the art world.

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Topics: Nazi Germany, Russia, Germany, WWII, Foreign Sovereign Immunities Act, Red Army, Edward Snowden, FSIA, Restitution, New England Patriots, Super Bowl, Vladimir Putin, Robert Kraft, Soviet Union

DC Circuit Reinstates All Claims that Were Dismissed in Herzog Case Against Hungary-UPDATED

Posted by Nicholas O'Donnell on April 23, 2013 at 9:35 AM

The DC Circuit Court of Appeals has reinstated the entire set of claims brought by the Herzog heirs against the Hungarian National Gallery, the Budapest Museum of Fine Arts, the Museum of Applied Arts, and the Budapest University of Technology and Economics. The appellate decision focuses on the claim that an agreement was reached after WWII to hold the paintings for their owners, not the claims relating to their wartime fate. In so doing, the court pushed to the side a whole range of defenses for sovereign defendants that have been increasingly successful. The court also reinstated claims to ownership of 11 works whose title was previously litigated, in an opinion that sets a low bar for collateral attacks on foreign judgments.

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Topics: David de Csepel, Nazi Germany, Angela Maria Herzog, Hungary, WWII, Viktor Orban, res judicata, Julia Alice Herzog, Budapest University of Technology and Economics, Baron Mor Lipot Herzog, Hungarian National Gallery, Jori Finkel, Budapest Museum of Fine Arts, Adolf Eichmann, FSIA, expropriation exception”, Restitution, 28 U.S.C. § 1605(a)(2), 28 U.S.C. § 1605(a)(3), World War II, Foreign Sovereign Immunities, Alison Frankel, András Herzog, Janos Lazar, Museum of Applied Arts

Russia Sanctioned $50,000 per day for Defiance of Chabad Library Judgment that Led to Art and Cultural Loan Embargo

Posted by Nicholas O'Donnell on January 16, 2013 at 10:45 AM

In a case that has tested the principles of how a defiant sovereign defendant can be compelled to comply with a court order, the U.S. District Court for the District of Columbia has taken an emphatic step in an order issued today. The Russian Federation, the Russian Ministry of Culture and Mass Communications, the Russian State Library, and the Russian State Military Archive will be fined collectively $50,000 per day until they comply with a 2010 judgment to return the library of Menachem Schneerson, the late charismatic leader of the worldwide Chabad Lubavitch movement, to the movement in Brooklyn, New York. Whereas the court lacked any power to compel the seizure of the library itself overseas, the plaintiffs will now be armed with a very real financial bludgeon against the defendants that have thumbed their noses at the U.S. courts for more than three years. In any case where the defendant refuses to obey a court order that court has a wide array of tools to compel compliance, but this case has been an awkward example of the limits on a court of law faced with an uncooperative party overseas. Particularly where the Foreign Sovereign Immunities Act, 28 U.S.C. § 1603 (the FSIA) was the basis for jurisdiction, as it is in so many wartime art restitution cases, and the fact that the 2010 judgment led to a still-ongoing embargo of art and cultural artifact loans to the United States, the decision is a significant one for the realm of art law.

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Topics: cultural property, Lativa, Menachem Schneerson, Germany, Foreign Sovereign Immunities Act, Rebbe, 28 U.S.C. § 1603, Bolshevik, the Russian Ministry of Culture and Mass Communica, Russian Federation, the Russian State Library, FSIA, Restitution, the Russian State Military Archive, World War II, Foreign Sovereign Immunities, Agudas Chasei Chabad, Poland, Russian Revolution, Soviet Union, Immunity from Seizure Act

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About the Blog


The Art Law Report provides timely updates and commentary on legal issues in the museum and visual arts communities. It is authored by Nicholas M. O'Donnell, partner in our Art & Museum Law Practice.

The material on this site is for general information only and is not legal advice. No liability is accepted for any loss or damage which may result from reliance on it. Always consult a qualified lawyer about a specific legal problem.

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