Almost none of the legal issues flowing from the seizure of some 1,280 works of art from Cornelius Gurlitt’s apartment in 2012, his agreement with the Bavarian prosecutor, and the ongoing review of the collection for connections to Nazi looting can be resolved until his named heir—the Kunstmuseum Bern—decides whether or not to accept that appointment. When the one-year review deadline passes (with only two public recommendations made so far), it is entirely unclear who will stand for Gurlitt’s "rights" over what is left.

Topics: Schwabinger Kunstfund, Beat Giauque, Cornelius Gurlitt, Grosser Rat, Nazi-looted art, Gurlitt Collection, canton, Paul Klee, Ittigen, Trubschachen, Samuel Leuenberger, Kunstmuseum Bern, Gurlitt Erbe, Museums, Berner Zeitung, Münchner Kunstfund, Kanton Bern

Topics: Expressionist, Esther Tisa Francini, Allied Collecting Points, Südkurier, Auctions, Florian Weiland, Oskar Reinhart Museum, Dresden, Karl Schmidt-Rotluff, Nazi-looted art, Robert Graetz, Buchholz Gallery, German Advisory Commission for the Return of Cultu, Winterthur, Entartete Kunst, Beratende Kommission, Curt Valentin, Restitution, Melissa Müller, Luzern, Clara Levy, Farm in Dangast, Fluchtgut: Geschichte Recht und Moral, Lucas Elmenhorst, Luxembourg, Looted Art, World War II, Lucerne, Switzerland, degenerate art, Handelsblatt, Lost Lives Lost Art Jewish Collectors Nazi Art The, Galerie Fischer, Imke Gielen, Washingtoner Prinzipien, Jutta Limbach, Washington Principles, Drei Grazien, Flight Goods: History Law and Morality, Lovis Corinth, Monika Tatzkow, Three Graces, Bavarian State Painting Collections, Raubkunst, Hans Posse, Limbach Commission, Bayerische Staatsgemäldesammlungen

The German Advisory Commission for the Return of Cultural Property Seized as a Result of Nazi Persecution, Especially Jewish Property (Beratende Kommission) has issued its latest decision concerning allegedly Nazi-looted art in German museums. For the second case in a row after the widely (and wisely) derided opinion not to restitute the Welfenschatz or Guelph Treasure at the Stiftung Preussischer Kulturbesitz in Berlin, the commission (known for its presiding member, former German Supreme Constitutional Court judge Jutta Limbach) has recommended against restitution, this time over the claim by heirs of Clara Levy to The Three Graces (Drei Grazien) by Lovis Corinth (1902/1904). The decision (available only in German) is riddled with poor logic and basic historical errors. In short, while it may be that the painting was indeed delivered to Clara Levy’s daughter in the United States at Clark’s express instruction, that is far less clear than the commission states, and its decision further makes a number of assumptions about the circumstances of Jews in occupied or about-to-be occupied territories that undermine its credibility considerably.

Topics: Berlin, Else Bergmann, Schleifmühle, Hildebrand Gurlitt, Cornelius Gurlitt, Ludwig Levy, Fritz Levy, Rita Hubbard, Germany, Nazi-looted art, bill of lading, Especially Jewish Property, Buchholz Gallery, Madame Soler, German Advisory Commission for the Return of Cultu, San Francisco, Entartete Kunst, Beratende Kommission, Stiftung Preussischer Kulturbesitz, FSIA, Curt Valentin, expropriation exception”, Gurlitt, Restitution, Max Huggler, Mendelssohn-Bartholdy, Clara Levy, Sigfried Rosengart, Luxembourg, Henry Zacharias, Compagnie Generale Transatlantique Hol Lesquette, World War II, Foreign Sovereign Immunities, Pinakothek der Moderne, degenerate art, beschlagnahmte Kunst, Jutta Limbach, Kunstmuseum Bern, Drei Grazien, Pablo Picasso, Lovis Corinth, Museums, Three Graces, Bavarian State Painting Collections, Federal Republic of Germany, Paula Levy, Kurt Buchholz, Welfenschatz, Limbach Commission, New York, Bayerische Staatsgemäldesammlungen

Eileen Kinsella at ArtNet news reported today that the Gurlitt Taskforce has recommended the restitution of the Max Liebermann painting Riders on the Beach (Reiter am Strand) to David Toren, a New York man who left Germany at age 14 in 1939. His great uncle David Friedmann lived in Breslau, the capital of Silesia (now part of Poland, known as Wrocław). The Nazis catalogued and seized Friedmann’s art collection in 1939-40, and the Liebermann painting appears on those records. It was later found among those 1,280 objects seized from Gurlitt a little over two years ago when he aroused suspicion returning from Switzerland with a large amount of cash.

Topics: Breslau, Eileen Kinsella, Wrocław, Gurlitt Task Force, Max Liebermann, Silesia, Nazi-looted art, Gurlitt Collection, Entartete Kunst, Reiter am Strand, August Matteis, Restitution, David Toren, 28 U.S.C. § 1605(a)(2), World War II, Switzerland, degenerate art, Poland, Altmann v. Republic of Austria, Kunstmuseum Bern, www.lostart.de, Berner Zeitung, Riders on the Beach, David Friedmann, ArtNet news

The Gurlitt Task Force has issued its first public conclusion about the status of work amongst the collection found in Cornelius Gurlitt's apartment. Chair Ingebeborg Berggreen-Merkel issued a statement today that (my translation):

Topics: Schwabinger Kunstfund, Hildebrand Gurlitt, Cornelius Gurlitt, Gurlitt Task Force, Nazi-looted art, Gurlitt Collection, Entartete Kunst, Munich art trove, Anne Sinclair, NS Raubkunst, Restitution, World War II, Kunstmuseum Bern, Washington Principles, Sitzende Frau, Kunstfund München, Henri Matisse, Paul Rosenberg

Topics: Meike Hopp, Schwabinger Kunstfund, Was einmal war, Hildebrand Gurlitt, Cornelius Gurlitt, Zentralinstitut für Kunstgeschichte, Lost Art Database, Schwabinger Taskforce, Gurlitt Task Force, Nazi-looted art, Gurlitt Collection, Karl Haberstock, Kende, Entartete Kunst, Munich, Restitution, Wien, World War II, degenerate art, www.lostart.de, München, Adolf Weinmüller, Neumeister Auction House, Aryanized, Sophie Lille, Unser Wien ‘Arisierung’ auf Österreich, Nazi Raubkunst, Vienna, Tina Walzer

Topics: Schwabinger Kunstfund, Hildebrand Gurlitt, Cornelius Gurlitt, www.Gurlitt.Info, Wolfgang Seybold, German museums, Nazi-looted art, Gurlitt Collection, Entartete Kunst, will contest, Curt Valentin, Restitution, Der Spiegel, World War II, Bunte, degenerate art, Kunstmuseum Bern, Nazi Raubkunst, Kunstfund München

Topics: Barcelona, Focus, Schwabinger Kunstfund, Hildebrand Gurlitt, Cornelius Gurlitt, Wolfgang Seybold, Nazi-looted art, Gurlitt Collection, Spain, Munich, Münchner Gerichtspräsident Gerhard Zierl, 60 Minutes, Restitution, ORF, codicil, testamentary capacity, World War II, Austria, Kunstmuseum Bern, Ekkeheart Gurlitt, probate, Nazi Raubkunst, CBS, Testament, Münchner Kunstfund, Morley Safer

Discussion continues to swirl about how the passing of Cornelius Gurlitt this week will affect the review and possible return of the paintings found in his Munich apartment, and those in Austria. Not surprisingly, the majority of reflections on the news that Gurlitt appointed the Kunstmuseum in Bern, Swizterland as his sole heir are in German, Austrian, and Swiss publications. Here are is my roundup of the latest reports:

Topics: Neue Zürchner Zeitung, Schwabinger Kunstfund, Ingeborg Bergreen-Merkel, Stephan Holzinger, Bad Aussee, Cornelius Gurlitt, Monopol, Gurlitt Task Force, Germany, will, Nazi-looted art, Gurlitt Collection, Matthias Frehner, Entartete Kunst, Salzburg, Restitution, ORF, World War II, Switzerland, Süddeutsche Zeitung, heir, Austria, Kunstmuseum Bern, Washington Principles, Nazi Raubkunst, validity

Topics: Schwabinger Kunstfund, Bad Aussee, Cornelius Gurlitt, Gurlitt Task Force, Germany, Nazi-looted art, Gurlitt Collection, Vincent Van Gogh, Entartete Kunst, Salzburg, Restitution, World War II, Switzerland, Austria, Franz Marc, Kunstmuseum Bern, Museums, Nazi Raubkunst, Henri Matisse